Uldis Cekulis

In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.

The narrow, sandy strip of the seashore is a neutral zone that belongs equally to the sea and the mainland. This zone possesses an unusual chracteristic, namely, it attracts people with a practically magnetic power, transforming the beach into something like a playground where the old and the new, the primitive and the civilised, the traditional and the modern all coexist.

After the fall of the Soviet Union large numbers of immigrants from the East stayed in Latvia for good, Latvians simply call them “Russians”. Over 20 years of independence later mutual suspicion and bias are still there in the most part of the local community. Therefore, a Latvian director involves an independent Russian speaking Norwegian colleague in helping him understand Latvian “Russians” and coming up with an integration plan. But soon enough it becomes clear that only Latvians themselves can manage the challenge. And so begins director’s journey away from the division “us / them”.

Accomplished European scenographer and educator Andris Freibergs paints a self-portrait by shaping the stage for an imaginary production titled “Andris Freibergs”. He transforms himself into a space that contains close to eighty years worth of stunning success, tragic loss, birth and death. It is an attempt to create the perfect empty space – one that would simultaneously encompass everything and nothing, the beginning and the end.

Psychological thriller connecting three different people in the mysterious vortex, trying to untangle the dramatic fight of border between the truth and fantasy. Rob, a former real estate broker, unemployed, starts following a strange Japanese woman, Oki, who constantly moves from house to house. He drags his roommate Wylie into the investigation during which they have to face the dark past and curse of Oki, while dealing with the history of their own.

Little kids, big dreams and smashingly good music – Dixieland follows the amazing progress of four members of a Ukrainian children’s brass band from Kherson. Through steady practice under the wildest of conditions, Roman (12, trumpet), Polina (10, trombone, drums and many other instruments), Nikita (12, drums) and Nikita (14, piano) produce magical music with ancient, wobbly instruments. Not least due to their wit and good humor, they persevere together, helped along by their 80+-year-old conductor and a young teacher. These children of the post-Soviet provinces use American tunes to achieve their dream – to become someone in the world and make something of their lives, no matter how dire the circumstances. From the authors of an awards winning documentary film Ukrainian Sheriffs.

A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.

Instead of Einars Pelšs' eighth poetry book, he publishes his collected works, but the buyer of the book receives an ordinary brick. He translates the authors of the Russian Golden Age and publishes them under his own name, challenging the boundaries of literature. Is a poet who makes fun of art unique or exactly what we expect from contemporary authors? Einarrative is an extraordinary story that portrays the narrative of the life of Einārs Pelšs. In the film, this narrative is an experience of contrasting changes both in its visual style and in Einars’ poetic works and personality, allowing him to get involved in the depiction of the narrative himself, making the film as Einārs Pelšs' audiovisual collected works.