The National Touch

Based on true events, a historical drama about one man's struggle against the authorities that leads to a mutiny on a Soviet warship.

A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.

Almost 30 years after the collapse of the Soviet Union we can observe the return of rhetoric of a strong person of the totalitarian era. Could this be facilitated by the remains of totalitarian subservience in our heads and minds? The Director of the film Ivo Briedis and journalist Rita Ruduša, both born in the USSR, are going on a journey to explore the phenomenon of “Homo Sovieticus” and to discover whether a human being of the totalitarian mindset has specific geographical boundaries.

In a 17th century Swedish Livonian village, constant rain and drunkenness prevail. When a stolen relic sparks witchcraft accusations, an 80-year-old self-proclaimed werewolf named the Dog of God arrives with a mysterious gift: The Devil’s Balls.

Summer, 1944. A military airbase near the very front-line. A young soviet pilot Sergey makes his first practice flight. In the course of this flight he hears a call for help on the radio from Russian pilots, having an unequal air combat with superior forces of the enemy. Sergey rushes to their rescue. His plane gets shut down, and he is taken prisoner. Soon he is taken to a special flight school, where future German aces are prepared and Russian pilots at the wheel of captured Russian aircrafts are used as living targets. Nobody wants to put up with such situation, and they prepare an escape.

Eva lives cut off from the outside world in het sterile blue apartment. She's allergic to just about everything. Are her allergies caused by a polluting multinational corporation, or is she so sensitive and vulnerable she's making herself ill?

A message brought by the wind urges a lonely man to go out to the city, but there is someone who does not want him to leave the room.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

Circumstances force two former friends and schoolmates to meet again after a long separation. There’s an unresolved conflict from their past. Will this chance meeting result in reconciliation?

A historical thriller about Latvia in 1938 - not long before the Russian occupation.

Ingus is a man around forty, utterly happy with his bachelor life, until one day chatty Žanete moves in next door and upsets the usual course of things. He might, of course, ignore her, but some overwhelming force makes him act differently.

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.

In 1920, Franz Kafka wrote 120 letters to writer and journalist Milena Jesenská. A love which filled Kafka’s life with light and hope and, at the same time, illuminates his fears and the darkness in him.

His own image in the mirror was so important that one day he didn’t find himself there.

In Territory, untouched by globalisation, it's only strange individuals who are scurrying around. One of them – Hoggie – a creature of unknown origin. In search of a new brand Flying Hedgehog Ball arrives to the Territory. After various misunderstandings, an image of Hoggie is published on magazine covers all over the world. It's all because of Black Box.

In a house soon to be demolished lives a little girl. When her mother dies, she is forced to look for shelter at the side of a man, the only one still left in the house. He is a strange, somber man with his only companions being two endlessly trustworthy dogs - Monk and Prince.