Little Yellow Boots

Police trainee Riikka finds there is something not even a bullet proof vest can protect her from - her own emotions.

Three vacuum cleaner salesmen go door-to-door selling dreams of dust-free homes and personal ambitions in a bleak Finland hit by the worst recession in history.

The Helsinki of the 1990s, longed for by many, comes to life in Heikki Ahola's City Symphony. Celebrating its 30th anniversary, this classic montage film offers a unique glimpse into the pulsating life of the capital at all hours of the day. More than 30 young filmmakers worked on the documentary. Filmed between September 1993 and February 1995, City Symphony encounters the contrasting spirits of Helsinki – including unemployment and luxury, homeliness and internationalism. As the title suggests, music plays a central role in the film, with Tuomas Kantelinen responsible for the score. You won't find a more comprehensive journey through 1990s Helsinki than Kaupunkisinfonia. The world just before the breakthrough of the internet and the economic boom already looks very different.

In the freer climate of the 1990s, some young women from Estonia are enticed into Finland to work as dancers and entertainers. Many, like 18 years old Irma, find themselves doing striptease.

As wildfires rage ever more fiercely across Europe, Finnish and Portuguese firefighters join forces on the front lines. This visually stunning documentary takes viewers into the flames and shows humanity's struggle against nature's most destructive force.

Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.

Director John Webster convinces his wife and two small children that the whole family should go on an oil diet, yet without having to give up their a middle class suburban lifestyle. All the everyday things that we don't do, or that we can't help doing, make up recipes for disaster. In this comedy of errors they find themselves questioning their values and putting to test their will power and ultimately, their happiness.

Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.

For the family members of murder victims mourning is often postponed indefinitely. To unlock the trauma and begin the grieving, a method called restorative dialogue brings two parents - and the audience - eye to eye with the murderers.

A group of sex workers and brothel youth form a film production house in the Kalighat redlight area, Kolkata, India. Despite the opposition from the conservative society, they are determined to become filmmakers, resist prostitution among the second generation, survive through the art of cinema, and aspire to transform the redlight area into a professional film colony in the post-pandemic time.

The prostitutes of Bombay live a nightmare life, yet there are some people who try to bring a little light into the darkness of the brothels. The film follows the lives of women in two brothels in the slums of Bombay. Some of the women are old, some are very young, but they have all been cheated into the business. And cheated out of life. For ten years now, Vinay, a social worker, has been trying to help them by saving them from AIDS and giving them some comfort. Although they are degraded and exploited outcasts, these women manage to retain some human dignity and cheerfulness. And some hope.