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A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

The fourth chapter in the Love Cinema series, is a story of a cloistered and obsessive character who is confining and closed. When many suicides occur in an apartment building the police are by to question a female resident.

High schooler Ichitaka Seto is in love with classmate Iori Yoshizuki, but is too shy to tell her. Again and again, he plans to tell her his true feelings, but each time something – usually a misunderstanding of some kind – gets in the way. Things complicate further when Itsuki Akiba – whom Ichitaka was friends with in their childhood before she moved to the United States – returns, her crush on him still intact.

Set in the late Edo period. Ohatsu, who is the signboard girl for a diner in Nihonbashi Torichō, awakens to a mysterious power – the spiritual ability to see and hear things that ordinary people cannot. Southern Edo magistrate Negishi Hizen-no-kami Yasumori approached her to request assistance in gathering strange tales for a collection called Mimibukuro, and introduces her to Furusawa Ukyonosuke, a trainee yoriki. Thus, the two of them encounter some bizarre events...

One morning, students find their homeroom teacher Tokuyama Daigoro’s body on the floor of the classroom. A strange school life begins as the students work hard to hide the presence of their teacher's corpse in their classroom. Other teachers from the Academy, their homeroom teacher's wife, his mistress, police, and reporters... One-by-one they visit the classroom and the students face the risk of being discovered. Is it possible to continue to hide it?! And who was it who killed him?!

Restored footage of a famous debate between Yukio Mishima and students at Tokyo University in 1969, just one year before the author's death.

Keisuke Yoshimaru is a screenwriter, but instead of working, he is responsible for all household chores. On the other hand, Keisuke's wife, Nami, is a popular novel writer under the name "Ririko Kōsaka". Nami is the breadwinner with outstanding fame and income. Keisuke is somehow satisfied with his current life, but, one day, the main writer of a prime-time drama suddenly drops out, and Keisuke was given the opportunity to write again. Although Keisuke starts writing with full of expectations, he begins to be swayed by various problems.

Mio Meguro is a timid person. She is afraid of being hated by others, and this causes her to refrain from saying what she really wants to say. She doesn't have any specific things she wants to do. She got a job and eventually dated a man from her workplace. Mio Meguro wanted to marry the man, but he turns out to be a bad guy. Because of him, she becomes penniless and unemployed. Her life descends into a bottomless pit. Mio Meguro then happens to get a sharehouse, where the mysterious creatures known as yōkai live. The yōkai try to solve her problems in radical ways.

Japan around 1860: popular courtesan Asagiri will be freed soon from her service, yet she cannot imagine any other existence. Until one day at a local festival, Asagiri meets the young artisan Hanjiro by chance – an encounter that changes her destiny. With a strong performance by leading actress Yumi ADACHI and exquisite camerawork and production design, A COURTESAN WITH FLOWERED SKIN succeeds in recalling the golden age of Japanese erotic film.

A former detective and an elite ex-security officer join forces in a special police analysis unit, where their unlikely partnership helps tackle violent crimes and support investigations behind the scenes.

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.

During a night shift, security guard Kiriyama watches a popular live streaming show titled '#Iwilltellyouthetruth' from the guardroom. The show is known for exposing the hidden truths behind sensational incidents and gossip, offering cash rewards and tips in return. The more shocking the revelation, the hotter the viewer reaction—and the greater the payout. In desperate need of money, Kiriyama decides to join the program and is eventually selected as a participant. However, what he faces is a truth far more immense and unimaginable than he ever anticipated. Truth always draws people in, but sometimes it can consume everything in its path. Depending on how people react, it may even reveal an entirely different face.

In a futuristic Tokyo where police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the 'cutter' demographic, Ruka is on a mission to avenge her father's assassination. Ruka is a cop from a squad whose goal is to destroy homicidal mutant humans known as 'engineers', that possess the ability to transform any injury to a weapon in and of itself.

An anthology series based on stories collected throughout Japan, mainly by writers Hirokatsu Kihara and Ichiro Nakayama.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.