Nostromo

SAS Major Harry Maxim is assigned as a bodyguard for a nuclear strategist attending a conference.

Headmistress Sarah Burton, a left-wing feminist, is disgusted by the social injustices faced by her pupils. In spite of her beliefs, she reluctantly finds herself falling in love with a Tory landowner whose wife is suffering from insanity.

Market in Honey Lane was an ATV British television soap opera which was broadcast between 1967 and March 1969. This cockney drama set was in an East London street market and covered the traders and customers. It was created by Louis Marks. Initially shown weekly in September 1968, it became a twice weekly afternoon show and the name was shortened to just Honey Lane. According to www.lostshows.com, only 13 of the original 91 episodes still exist in the archives. Main characters were played by John Bennett, Michael Golden, Ray Lonnen, Peter Birrel, Brian Rawlinson, Pat Nye, Basil Henson and Anna Wing, the latter finding new fame in the BBC soap EastEnders nearly 20 years later and which had a similar premise. The show was recorded at ATV Elstree, the same studio complex that is now home to EastEnders. Ray Lonnen would go on to star in another ATV soap, Crossroads, but in the Carlton Television produced Crossroads of 2001.

Shades of Greene is a British television series based on short stories written by the author Graham Greene. The series began in 1975, with each hour-long episode featuring a dramatisation of one of Greene's stories, many of which dealt with issues such as guilt and the Catholic faith, as well as looking at life in general. Actors to have appeared in the series include John Gielgud, Leo McKern, Virginia McKenna, Paul Scofield, and Roy Kinnear. The series began on 9 September 1975 and ran for two seasons.

A pioneering show starring Maurice Colbourne as Birmingham gangster John Kline. The show was noted for its gritty true-life quality, and often graphic violence.

In 1981, Gerd Heidemann, a war correspondent and reporter with the German magazine Stern, makes what he believes is the literary and historical scoop of the century: the personal diaries of Adolf Hitler. Over the next two years, Heidemann and the senior management figures at Stern secretly pay 10 million German marks to a mysterious 'Dr Fischer' for the sixty volumes of 'Hitler's diaries'. However, to the dismay of all, it is discovered after the publication of first extract that the diaries are crude forgeries, faked by Stuttgart criminal Konrad Kujau.

Evolution is a 2001 documentary series by the American broadcaster Public Broadcasting Service and WGBH on evolutionary biology. The spokespeople for the series were Jane Goodall, Kenneth R. Miller and Stephen Jay Gould, Eugenie C. Scott, Arthur Peacocke and Arnold Thomas. The series was narrated by the Irish actor Liam Neeson. The series was accompanied by a book by the popular science writer Carl Zimmer Evolution: The Triumph of an Idea. An extensive website provides teaching resources for each episode's material, including "The Mating Game", further looks at Charles Darwin, and an interactive history of speciation in the invented "pollencreeper" birds.

Inspector Morse is a detective drama based on Colin Dexter's series of Chief Inspector Morse novels. The series starred John Thaw as Chief Inspector Morse and Kevin Whately as Sergeant Lewis, as well as a large cast of notable actors and actresses.

Mary Ann Singleton, a naïve young secretary from the mid-west, tumbles head first into the colorful world of San Francisco, where carefree chaos revolves around the funky old apartment house at 28 Barbary Lane.

Traffik is a 1989 British television serial about the illegal drugs trade. Its three stories are interwoven, with arcs told from the perspectives of Afghan and Pakistani growers and manufacturers, German dealers, and British users. It was nominated for six BAFTA Awards, winning three. It also won an International Emmy Award for best drama. The 2000 crime drama film Traffic, directed by Steven Soderbergh, was based on this television serial. In turn, the 2004 American television miniseries Traffic was based on both versions.

18 short plays written especially for TV, an opportunity for up-and-coming directors such as floor manager Alan Clarke, who ended up doing 10 of the episodes. Some top ranking performers were attracted to the series.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Are Maggie and Tony using each other as a means of communicating with Dr Leafer? Or are they using Dr Leafer as a means of communicating with each other?

In 1981, Gerd Heidemann, a bloodhound reporter for the German magazine Stern, believes he's stumbled onto the greatest literary find of the century: the personal diaries of Adolf Hitler. Shrouded in secrecy, Heidemann and the men of Stern attempt to pull off the greatest scoop in publishing history, blinded by their greed to the fact that the diaries are, in fact, crude forgeries.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.