Aloka(h)iru

During the final throes of the last Carlist war, a little girl is rescued from an orphanage by a mysterious woman who lives deep inside the forest.

Madrid, Spain, 1936. The young Miguel Gila lives happily with his grandparents in a humble attic; but the outbreak of the Civil War forces him to go to fight.

We get to know 10 artists of the music industry closely through an acoustic concert and their own lived experiences. Music gets out those big stages and goes into different topics and realities that go far beyond music.

A director returns to his childhood home to recreate, with actors, the argument that drove his parents apart when he was four years old. Through improvisation and a film shoot that reveals his own artifice, he builds memories to which he never had access. But as the scene repeats itself, the indications lose their clarity and the border between reconstruction and desire start to blur.

Esti returns to Oiartzun after six years living in Sweden. Although she had promised herself not to return, economic instability and job insecurity force her to return. She realises that the town remains unchanged, and Esti is not willing to adapt to it.

It is the last night that Haizea and Mikel spend together. As a gymnast, she has given him a scholarship to train in Poland. After making love, she asks about the future of their relationship.

Watching the street from the window, Caroline jumps when she hears the sound of keys; it's Nathan, her husband. He's got his hands on a lottery ticket that belonged to a dead girl. They argue as to whether it is right to cash it in. Nathen tries to convince her...

Two glasses of wine on the coffee table in the living room, a candle about to go out, and clothes on the floor.