Ничья в пользу КГБ

Maxim Shugaley and Samer Sueifan are finally returning to Russia after a long captivity in the Libyan prison "Mitiga". A few months later, a former bank manager in Tripoli, Farid, comes to Shugalei and offers to meet in Egypt — he has new information about terrorists in Libya. But the meeting of friends in Cairo will not take place. To help Farid avoid his own fate, Maxim will have to postpone his plans for a while…

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

A 'runaway' homeless man, once a renowned athlete, finds himself marooned in the small, snow-covered town of Zarechensk. Victor lands a job at an orphanage, where he soon meets a young teacher who becomes both a compassionate friend and the love of his life. However, fate doesn't play out simply as good or bad; it unfolds in a way that makes the hero realize one cannot run away from oneself. Consequently, it is in Zarechensk that a train carrying a film crew from the capital, on their way back to Moscow, is compelled to delay their journey for a few days. Remarkably, Zarechensk becomes the place where a director finally discovers the perfect actress for his leading role and encounters a man who has fled from her love. Meanwhile, a producer makes the ultimate decision to select this town as the filming location for her upcoming movie.

Lugansk region, May 2014. The Novozhilov family, by chance, finds itself in the thick of events in Lugansk. Vlad Novozhilov is a former participant in the war in Afghanistan. He knows firsthand what war is. Having seen enough of the horrors of war in his time, in principle he does not even want to touch a weapon. In a situation, he sees only one way out - to leave the country. But you can't run away from the war, the border is already closed. To save his family, he will have to make difficult moral choices.

The heroes of the series are employees of a very modest St. Petersburg newspaper "Russian Horror Stories", who write about various anomalies and miracles.

It is based on real events that modern science has not been able to explain. Each of the eight films begins with a historical reference: about Hitler's personal astrologer, about the predictions of Grigory Rasputin and Nostradamus. Actors recreate the events that struck the whole world, and researchers and people with supernatural abilities offer their own interpretation of these events.

Petr is not only a successful writer but also is the owner of the agen- cy called Alibi — that creates alibis for the clients who need to hide their lies and failures. His second business is hidden, so he himself has a double life. But his attitude to lies changes when his own wife appears at the agency asking for an alibi. From this moment on, he will solve not only his client’s problems, but his own. Unfortu- nately, he’ll be able to help everyone but himself.

A semi-fictional account of the life of Russian poet Joseph Brodsky, who was forced into American exile in 1972.

A story about a love between two teenagers set in the small Russian town during sixties.

During the Gorbachev years, Platon Makovski and his four buddies are university students who jump on the private capitalism movement. Fast-forward 20 years, Platon finds himself the richest man in Russia, having sacrificed his friends to get to the top. But with this cynical rise, comes a brutal fall.

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

Two colleagues go to fetch the body of their co-worker from a neighboring town where that man died unexpectedly. As this person has no kin, the director of the factory chooses to send Markerants and Mityagin to deal with the whole business. And here the adventures begin...