Shugaley 3: The Return

This story is not a figment of the scriptwriters’ imagination; these are real living facts. New Russian action movie Shugaley is a story about the war that is going on today. The film is based on real events taking place in Libya today. Two Russian social scientists, Maxim Shugaley and Samir Seifan, are invited to the conflict-torn country to carry out a public opinion research. In the course of their work, they come over the information, that would be damaging to the puppet government if made public. Russians are kidnapped and tortured in a private prison for more than a year. The situation cannot be resolved peacefully, so the Russian side is preparing a rescue operation.

Russian sociologist Maxim Shugaley and his translator colleague Samer Sueifan are still being held in a Libyan prison. For more than a year, they have been subjected to torture and psychological violence on a daily basis. While in custody, Maxim Shugaley encounters various people who turn out to be, sometimes unknowingly, sources of information about the situation in Tripoli. Listening to their stories, the sociologist literally collects valuable information bit by bit, which can be decisive for the entire world community.

A 'runaway' homeless man, once a renowned athlete, finds himself marooned in the small, snow-covered town of Zarechensk. Victor lands a job at an orphanage, where he soon meets a young teacher who becomes both a compassionate friend and the love of his life. However, fate doesn't play out simply as good or bad; it unfolds in a way that makes the hero realize one cannot run away from oneself. Consequently, it is in Zarechensk that a train carrying a film crew from the capital, on their way back to Moscow, is compelled to delay their journey for a few days. Remarkably, Zarechensk becomes the place where a director finally discovers the perfect actress for his leading role and encounters a man who has fled from her love. Meanwhile, a producer makes the ultimate decision to select this town as the filming location for her upcoming movie.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

Lugansk region, May 2014. The Novozhilov family, by chance, finds itself in the thick of events in Lugansk. Vlad Novozhilov is a former participant in the war in Afghanistan. He knows firsthand what war is. Having seen enough of the horrors of war in his time, in principle he does not even want to touch a weapon. In a situation, he sees only one way out - to leave the country. But you can't run away from the war, the border is already closed. To save his family, he will have to make difficult moral choices.

The heroes of the series are employees of a very modest St. Petersburg newspaper "Russian Horror Stories", who write about various anomalies and miracles.

It is based on real events that modern science has not been able to explain. Each of the eight films begins with a historical reference: about Hitler's personal astrologer, about the predictions of Grigory Rasputin and Nostradamus. Actors recreate the events that struck the whole world, and researchers and people with supernatural abilities offer their own interpretation of these events.

Petr is not only a successful writer but also is the owner of the agen- cy called Alibi — that creates alibis for the clients who need to hide their lies and failures. His second business is hidden, so he himself has a double life. But his attitude to lies changes when his own wife appears at the agency asking for an alibi. From this moment on, he will solve not only his client’s problems, but his own. Unfortu- nately, he’ll be able to help everyone but himself.

A semi-fictional account of the life of Russian poet Joseph Brodsky, who was forced into American exile in 1972.

A story about a love between two teenagers set in the small Russian town during sixties.

During the Gorbachev years, Platon Makovski and his four buddies are university students who jump on the private capitalism movement. Fast-forward 20 years, Platon finds himself the richest man in Russia, having sacrificed his friends to get to the top. But with this cynical rise, comes a brutal fall.

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

Two colleagues go to fetch the body of their co-worker from a neighboring town where that man died unexpectedly. As this person has no kin, the director of the factory chooses to send Markerants and Mityagin to deal with the whole business. And here the adventures begin...