Eden

The film is set in the environment of the internationally renowned Pardubice Steeplechase, with the main roles being devoted to equestrian sport outside of filming.

A short story film in which the first story takes place at the end of the German occupation, when a resistance fighter is arrested while transporting leaflets. The second story takes place in the 1950s at a cattle shed. The final episode tells the story of a doctor terrorized by fleeing criminals.

The relationship between a teenage daughter and her mother is not an easy time in the life of either of them. But for Jana Burešová and her Simona, it means digging deep into their consciences and searching for sensitive places where the past can be revealed and a path to the future can be found. It is at her forty-fifth birthday party that a devastated Jana learns from the police that her daughter has secretly given birth. The next day, she visits her daughter in the maternity ward, but she refuses to talk to her because she cannot forgive her mother's lack of interest, the fault of which is that she did not even know her daughter was pregnant.

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

Building themes, however modified, permeated the nationalised cinema throughout its existence. This time, director Július Matula has focused on a young engineer who, with high hopes, accepts a position in a famous agricultural cooperative. However, he soon discovers that behind the proclaimed phrases there is in fact hypocrisy and protectionism. The authors criticise the fact that incompetence is often covered up, that shortcomings end up being cleverly camouflaged, that the social mood favours the mediocre and the adaptable. The hauers present a statement that is courageous, so to speak, within the limits of the law, and call for increased work consciousness.

The hero, rushing from one misfortune to another, is former accountant Řehoř Maršíček, who after a heart attack, out of fear of death, decides to live a calm, moderate life and follow the principles of a healthy lifestyle. Not to smoke, not to drink, to exercise and eat healthily. He takes up the position of an auditor of patients and hopes that he will have peace in his new job. Instead, he experiences one nervous breakdown after another. He gradually makes one good resolution after another. Řehoř falls into unhealthy food, alcohol and women. In addition, he gradually loses most of his life's certainties, including a roof over his head. The result is a second heart attack, after which the hero promises himself again that he will fix everything and live a healthy life.

Third wine session, this time with a computer. The film was made in direct relation to the audience success of the previous two: "Stormy Wine" and "Ripe Wine". In the comedy-oriented story, the computer is an important actor, around which all the events actually revolve. It is reliable, powerful, but unused. Its future lies in the hands of those who do not yet know how to use it.

Just like every year, Dr. Burke comes to visit the old man who is being cared for by his nurse Dobruše. In a small, not very cosy room, the two friends have incredible adventures in which, thanks to their imagination, the most ordinary things change their function, fantasies become reality and a crazy world is created in which everything is possible. This experimental film, which is essentially a game within a game, completely breaks away from the usual standard of Barrandov productions and has rightly caught the attention of critics and insider viewers alike.

Chronicle of frontier division Czech police (SNB) in the years 1946 - 1949.

The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.

A tribe of survivors take possession of a large but rundown building, killing all who put up resistance - but they don't know that the building is cursed by some demon god and haunted by a girl in white that seems to know a dark secret.

The main characters of the film, inspired by director Soukup's own experiences at the Škodovka factory in Pilsen, are two inseparable friends who, after graduating from the industrial school, join a large engineering plant. Here they spend their first year of post-graduate life, where their vague ideas and ideals clash with their completely different life experience. In addition to their conflicting work experiences, Ondřej and Cyril have to deal with their own personal problems. They have big plans for the future, but their dreams are unexpectedly interrupted by a tragic event.

A Czech psychological film about the school of life, its sorrows and beauties. The main character is a young aspiring nurse Marie Sahulová, who, after a trouble in the hospital - she secretly brought a boy to her boarding school - is transferred to a rural health centre, where together with an old doctor and a peculiar nurse she has to travel around twenty-five villages and a number of solitudes in the harsh environment of the neglected villages of the 1950s. The nurse, a wise and experienced woman whom no one calls anything other than "babi", becomes her guide, who introduces her to the practice and the pitfalls of private life in a distinctive way. In the mosaic of everyday worries and more or less serious medical interventions, Marie matures and finds the meaning of her work and life.