Descente de Police

Teum-Teum was a French television program hosted by Juan Massenya that aired on France 5 from September 19, 2009, to July 23, 2011. Each month, Juan Massenya took a public figure to the suburbs—a space for meeting and discovering the people who shape life in these neighborhoods. According to producer Stéphane Simon, the show aimed to "take an interest—without naivety or stigmatization—in the people who shape life in France's neighborhoods, across all social backgrounds..." The program was structured around a series of encounters between the guest and local residents. Each meeting took place in a different location: an apartment, a housing project rooftop, a parking lot, a halal butcher shop, or a café.

"Bains de minuit" (Midnight Baths) was a late-night talk show hosted by Thierry Ardisson on La Cinq in the late 1980s, filmed in the famous Parisian nightclub Les Bains Douches. Ardisson interviewed personalities from the worlds of music, film, fashion, literature, sports, and politics, seated among the audience in the club's authentic atmosphere. The concept was to immerse these personalities in the world of nightlife and festivities, far removed from traditional television studios. The interviews were often irreverent and direct, with a provocative tone that would become Ardisson's trademark. He considers this show one of his freest and most audacious creations. It helped solidify his image as a cosmopolitan, transgressive, and highly scripted late-night talk show host.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

The likes of Antoine de Caunes, Jean Paul Gaultier, Davina McCall, and Lolo Ferrari are your guides to the weird and wonderful in Europe and beyond. How else would you learn about pubic hairdressers, the Penis Olympics, or the latest Japanese sex toys?

Ardisson interviews celebrities who are back from the dead.

Tout le monde en parle is a French talk show broadcast on France 2 from September 5, 1998 to July 8, 2006. It was hosted by Thierry Ardisson and produced by Catherine Barma. During its first season, the show took the form of societal debates; it was in September 1999 that it was re-formatted into a talk-show. The show features guests who are making news at the moment, including actors, writers, singers, politicians and athletes. Guests discuss their life and engage in thematic interviews. The show gradually acquired a provocative reputation, notably since the host does not hesitate to ask political guests questions about their private and sexual lives. With Thierry Ardisson as the main host, he was first accompanied by Laurent Ruquier and Linda Hardy. Later, he turned to duos Éric and Ramzy, then Kad and Olivier. Finally, he opted for comedian Lauren Baffie as co-host, until the end of the show.

Police commander Simon Weiss, head of the division that supervises Paris’s demi-monde, starts out on his nightly tour of bars, discos and strip clubs, making sure once again that the owners don’t bend the rules too far. Weiss knows he’s between a rock and hard place: it’s obvious that criminal gangs run rampant in his special domain, and even more obvious that they’re protected by higher-ups in the department.