Sinhazinha Flô

When the men go to war, the women also battle. This tale takes place in the XIX century, during a terrible civil war. Italy’s revolutionary leader Garibaldi must choose between two loves: a sweet aristocratic lady or a brave woman who leaves her husband to accompany him into battle. This super-production recounts the saga of women who do not go to war but must bear pain, solitude and new passions while their husbands and fathers fight the battles.

The adventures of a man with amnesia who struggles to rediscover his past while learning to live in the present.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

Two rival gangs of bandits, led by the dangerous Orelha de Lata and the Tropeço brothers, are devastating the same region. The film follows the attempts of a pair of two failed friends, the clumsy and silly Flic and Floc, to manage a funeral home that they inherited - and which can be very profitable, depending on the number of murders in the city.

In the backlands, the drover Ricardo marks the destiny of young Maria. Years later, in Xique-Xique, a mistake between two identical women rekindles passions, separations, and an impossible love.

After an unjust imprisonment, friends return to the town of Remanso, facing betrayals and lost loves, while battling a corrupt lawyer.

After suffering a plane crash, Leo receives a blood transfusion and, some time later, discovers that he ended up contracting the AIDS virus. Desperate, he does his best to find out the identity of the bearer of the blood he received, and suffers from the prejudice of friends and people close to him.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

The story begins with the arrival of millionaire Antônio Carlos Volpone in Brazil. After living in Cairo for 18 years, he returns to his homeland for two reasons: first, to clarify the murder of his father-in-law, Dr. Telles, of which he was accused; second, to get closer to his ex-wife Estela, now married to Orlando Aranha. The millionaire also attracts media attention, and reporter Amélia Bicudo decides to investigate his life. To mislead his enemies and move freely, Volpone uses numerous disguises: the executive Anabela Freire, the doctor Nilo Peixe, the industrialist Augusto Melo Sampaio, and the driver André Silva. With the help of his loyal secretary and friend, Mosca, he confronts his main rival, Orlando Aranha, and Renata, Orlando's sister, who holds secrets about the murder of Estela's father.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.