Fabiola

This is the story of the young and beautiful Luciana Jacinto, a poor woman from the provinces who travels to Mexico City to flee the local strongman of her hometown, San Francisco el Alto. After a rough start in the big city, she must face obstacles and surprises that fate has in store for her in her quest for a happy ending, as she falls in love with a young man from a wealthy family.

Ana Paula agrees to move far away to the Del Fuerte hacienda to work as a nurse for the fearsome Rogelio Montero—left paralyzed by an accident—who keeps everyone under his thumb at this estate filled with secrets.

Esmeralda is a Brazilian telenovela produced by SBT in association with Televisa and originally broadcast from December 6, 2004, to July 19, 2005. It is a Brazilian adaptation of the Mexican telenovela Esmeralda (1997), itself based on the original story by Delia Fiallo. Adapted by Henrique Zambelli and Rogério Garcia, the telenovela stars Bianca Castanho and Cláudio Lins. The story follows Esmeralda, a young woman who has been blind since birth after being accidentally switched with another baby shortly after her birth. Raised by a humble family in the countryside, she grows up unaware of her true identity. When she falls in love with José Armando, the son of a wealthy landowner, their romance is threatened by family secrets, prejudice, social differences, and the revelation of the truth about her origins.

Mar de Amor is a Spanish-language telenovela produced by Nathalie Lartilleux with protagonists Zuria Vega, Mario Cimarro and Mariana Seoane and antagonists Ninel Conde, Marcelo Córdoba and Manuel Landeta. This is a remake of the 1978 Venezuelan telenovela María del Mar.

Victoria's life is perfect. She is a famous designer, mother of two and the wife of an actor. But she suffers the absence of her daughter Maria, who was separated from her when she was a little girl.

A Mexican telenovela revolving around Marina, a blind woman who because of her disability has developed a great sensitivity.

When Marichuy was born, her mother—believing she was on the verge of death—handed her over to a priest, who took her to an orphanage. At the age of fourteen, Marichuy ran away from the institution and began wandering from place to place, scraping together a living however she could. Years later, she was attacked by a drunkard; the incident left her harboring resentment toward men and plagued by harrowing nightmares.

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

Carolina Guillén is a renowned fashion designer haunted by a painful past. Years ago, she had a baby with a young novice who never knew about the pregnancy. Alone and without support, she was forced to give up her child, a decision that hardened her into a cold and demanding woman. Many years later, a young model named Cristina arrives at her fashion house and quickly rises to stardom, despite Carolina’s harsh treatment. When Cristina falls in love with Carlos, Carolina’s stepson, their romance leads to an unexpected pregnancy. Before Cristina can share the news, Carolina fires her without realizing that she is the daughter she abandoned long ago. As Carolina’s world begins to unravel, the shocking secret of her lost child will change her life forever.

Mariana lives with her father, Atílio, and is motherless. He is a very powerful man, and he keeps a big secret: Mariana is not his biological daughter, Atílio has two sisters: Isabel, the oldest, a good and caring woman, who raised Mariana and loves her as if she were her own daughter; Márcia, the youngest, arrogant and very vain, has a cold heart, has never fallen in love with anyone and always mistreated Mariana, until a boy called Inácio Lugo Navarro arrives in the city, very attractive, who uses a false name and is looking for his roots and revenge.

Juan de la Cruz, a young seminarian, visits the home of his mother, Ana Joaquina—a religious zealot who has always imposed her will on her son and instilled in him a calling to serve God. Working in Ana Joaquina’s household is Luciana, an innocent, dreamy young woman who falls in love with Juan de la Cruz. One night, swept up in the passion of youth, they give in to their feelings with tenderness and innocence. Upon discovering this, Ana Joaquina throws Luciana out; by then, Luciana is already pregnant with Juan de la Cruz’s child. When the time comes to give birth, she leaves her daughter at a stranger's doorstep, hoping the child will be raised there, but the baby is instead taken to an orphanage. To survive, Luciana becomes involved with a series of unsavory men—including Pedro Trujillo, a brutal man who beats and abuses her.

Having to serve a sentence for a murder she did not commit but took the blame for, a woman gives her baby to her sister to be raised without knowing the truth. 20 years later she is freed and try to be once again part of her life. But things get complicated when the daugther, Rosalinda, and Fernando, the son of the man that was killed, become close.

Yulissa Torres-Quintero is a beautiful young woman from an upper social class who has been orphaned at a very young age; For this reason, she and her brother Alberto were raised by their cruel grandmother, Doña Paula Garza vda. de Torres-Quintero, who pretends to be sick to manipulate her grandchildren. After several years, Paula is ruined and penniless, so she decides to mortgage all her assets to the landowner Ignacio Aguirre, owner of the Arroyo Negro hacienda, as a last resort to survive and avoid poverty.

Marielena is a young, working-class secretary—decent, deeply devoted to her family, and steadfast in her Christian values. However, love catches her off guard when she meets Luis Felipe and feels her heart stir. A newly qualified executive secretary, she sets out to find a job and ends up crossing paths with Luis Felipe again—who becomes her boss. As the days go by, she finds herself drawn to him in a way that proves impossible to hide.