Decamerão: A Comédia do Sexo

Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.

A fifteen-year-old girl is beaten by her father and seeks shelter at a friend's house. Between tears and sobs, she watches her friend's father. He feels sorry for a child, but she is a woman. Tonight, they will have to discover the difference between passion and compassion.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

Is the country of the future where children get pregnant? Is the largest Catholic country in the world where more than thirty thousand women die as a result of abortion? Is the 10th largest economy on the planet where 27% of women are sterilized? VENTRE LIVRE tells the story of Vera, Ivonete, Carmen, Denise, Maria do Carmo, Marlove - people who were born in the country with the most unequal income distribution on the planet. A documentary about reproductive rights in Brazil, while the future is not yet here.

Three minutes. The time to leave a message. To pass the baton and run 1600 meters. To cook an egg. The time to make a decision that can change your life.

Dorival, a man in jail, has only one wish: to take a bath. To achieve his objective, he defies the private, the corporal, the sargeant and, finally, the lieutenant in charge of the prison.

Noeli lives in a suburb of Porto Alegre, is a housewife and has two children. She was born in a country town, went to the capital, worked in a bakery, got married. She's an ordinary person. But there are no ordinary people.

Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age. One day, Bia storms into his life. And Ernesto realizes that aging can be about rejuvenating with the company of a girl.

In the same house, on the same night, two groups meet. One, made up of very serious gentlemen, members of a religious-monarchist order. The other, a bunch of crazy people in animal costumes, at a party with sex and rock’n’roll. When the storm starts and the lights go out, anything can happen.

A bourgeois housewife's life is shaken by a series of anonymous letters that she periodically receives, increasingly obscene. At first, she believes the sender to be a complete stranger, then she begins to suspect her husband's friends. But she doesn't dare talk to her husband about the letters or their contents: she remains anxious, thinking about suicide, and always waiting for the postman.

Bom Fim, in Porto Alegre, was a stronghold of the youth movement that took place between the 1970s and 1980s. The trajectory of the place is revisited through interviews with musicians and artists who lived those golden years.

Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.

Antônio, an 8-year-old boy, discovers that his neighbor Cristina, 80, tells different stories about her life, the names of her relatives and the saints of the day. And Mrs. Cristina believes that Antônio can help her recover her lost memory.

Thirty-eight years after the 1950 World Cup, a man went back in time to prevent the goal that defeated Brazil, destroyed his childhood dreams and ended goalkeeper Barbosa's career.