El Bienamado

Los hijos de nadie is a Mexican social drama telenovela produced by Miguel Sabido and Irene Sabido for Televisa and originally broadcast on Canal de las Estrellas from February 24 to June 20, 1997. Created by Miguel Sabido, with adaptation by Miguel Sabido, Verónica Suárez, Andrea Ordóñez, Rosa Ana Curiel, and Kary Fajer, the telenovela was supported by UNICEF to raise awareness about the situation of homeless children in Mexico. The story follows Doña Leonor, an elderly woman who loses her daughter and granddaughter in a tragic accident. Seeking to overcome her loneliness, she dedicates herself to helping a group of children living on the streets of Mexico City. Alongside Verónica, a young woman who brings hope to the children through her puppet shows, Leonor faces the challenges of poverty, abandonment, and the people who seek to exploit those most vulnerable.

Dulce María is like her name, a sweet 5-year-old girl, full of joy and good feelings. With the death of his mother, his father, Luciano Larios, sinks into depression and pain, and decides to distance himself from everything and everyone. He admits Dulce María to the "Queen of America" ​​nuns' school and goes abroad, leaving her in the care of her brother Gabriel, who is a priest. The only visit the girl receives is from her beloved Aunt Estefanía, whom she affectionately calls "Aunt Wigs" because instead of showing her hair, she wears colored wigs that match her clothes.

¡Vivan los niños! is a Mexican telenovela for children that premiered in 2002. It ran for 155 episodes and finished in 2003. The opening, Vivan los niños, was recorded by the Latin pop group OV7. One of its closing themes, also entitled Vivan los niños, was performed by Cuban-American singer and songwriter Ana Cristina. The show is a version of the Argentinian telenovela "Jacinta Pichimahuida, la maestra que no se olvida". The series starred Andrea Legarreta as 2nd grade teacher Lupita Gómez. After the series ended, Andrea became the long-time host of the morning talk show Hoy. On July 12, 2012, in celebration of Andrea's birthday, the producers of Hoy reunited her with the young actors who played her students on the series.

After their father's death, Sofía Ripoll, the oldest of three sisters, takes over the family's fictional successful chocolate factory. Though she is engaged to a man who uses her for money, she quickly falls in love with Salvador Cruz, a former racecar driver who takes a job as her chauffeur.

Victoria Balvanera owns a vast expanse of land and a prestigious advertising agency. She is married to the landowner Nelson Brizz. Following an attempted kidnapping, she finds love with José Ángel—her rescuer and the estate's new foreman.

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

Valentina Vilaça is a wealthy woman who inherited a vast fortune from her parents after they died in a car accident. She lives in a mansion in Mexico City with her aunt, Isabel Rangel de Dorantes, and her cousin, Ivana Dorantes Rangel—who treats Valentina with great indifference and harbors envy toward her. Everything changes for Valentina when her fiancé, Alonso Penalva, conspires with Ivana and leaves her waiting at the altar on their wedding day. From that point on, Valentina becomes a bitter woman, eventually discovering love alongside José Miguel Montesinos.

“La mexicana y el güero” is the story of some scammers who try to deceive a millionaire who is looking for his biological mother through a plan that is funny about what is complicated. Itatí Cantoral, Gala Montes, Juan Soler, Luis Roberto Guzmán, Montserrat Marañón, Jacqueline Andere, Rodrigo Abed and Laura Vignatti, among many other stars.

La última esperanza is a Mexican telenovela produced by Eugenio Cobo for Televisa and originally broadcast on Canal de las Estrellas from February 1 to May 14, 1993. It is a remake of the 1973 Mexican telenovela Muñeca, which was itself based on the 1971 Argentine telenovela Así en la villa como en el cielo, created by Abel Santa Cruz. The story follows Estelita Suárez, a kind-hearted young woman who lives in the impoverished neighborhood of La Última Esperanza while caring for her alcoholic father. Her life changes when she meets Daniel Burana, a wealthy young man who disguises himself as a poor resident to win her love. As their romance blossoms, they must confront family greed, corruption, and betrayal while fighting to protect their community from those determined to destroy it.

Fernanda is the youngest daughter of the landowner Gonzalo Elizalde, owner of a large dairy company, and Eduardo is the son of Soledad, the Elizalde family's housekeeper. The two children have grown up together, united by an innocent and pure love, despite the difference in social class.

Isabel is abandoned at the door of an orphanage a few days after birth. There she grows between the jokes of the other girls and the mistreatment of the harsh director called "Justa." One day her classmates show her a false birth certificate where it says that her father's name is Jesús García, that he is alive and resides in Mexico City, so she, with the hope of having a family, escapes from the orphanage towards Mexico City to look for her supposed father.

Contra viento y marea is a Mexican telenovela aired from April 25 until November 4, 2005. This was also the last acting role of Beatriz Sheridan, who died in 2006 of a heart attack.

Having to serve a sentence for a murder she did not commit but took the blame for, a woman gives her baby to her sister to be raised without knowing the truth. 20 years later she is freed and try to be once again part of her life. But things get complicated when the daugther, Rosalinda, and Fernando, the son of the man that was killed, become close.

Bendita Mentira is a Mexican telenovela produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from August 5 to December 6, 1996. It is based on the radio serial La madrastra, created by Inés Rodena, and was adapted for television by Celia Alonso and Andrea Ordóñez. The story follows Esperanza, a humble housekeeper who works for the wealthy de la Mora family. Unknown to everyone, Diego—the young man who despises her—is actually her biological son, having been raised to believe the de la Mora family are his true parents. As long-hidden secrets begin to surface, Esperanza must confront prejudice, betrayal, and painful truths while fighting to reunite her family and find happiness.