Sestřičky

Meeting unexpectedly at their older sister's grave, Anka and Zuzu spend a tense afternoon easing back into their stubborn and sisterly ways after ten years apart.

Vita Jamie already exceeded thirty, working as a poorly paid sociologist, husband, tired father of two children. In the sociological institute involved in research attitudes of secondary school students. To better understand the target group, issued to the student daily and sits in his high school benches. Suddenly, as if they came back in time, they feel young and carefree again, she saw a lot of promises. Real life is but a fool can not log on early for their rights and duties of ...

Twenty-five films from twenty-five European countries by twenty-five European directors.

On a cloudy hillside, filled with canvases and sculpting tools, Micah, a blind sculptor, sits working on a bench as he calls upon Aelius, a spirit that is neither good nor bad. Micah opens up to him about his wish to see. Aelius listens as humanely as he can as they converse about loss, grief, and life.

Builder who loves to destroy. Shy eccentric, bold alarmist, austere hedonist, and generous usurper. Inventor of life. He would never stop dismantling and demolishing until he got what he wanted. Walls and objects would cease to exist; a captured light would be all that was left. A life of a man who never gave in and was admired as well as beaten for it. Can one stick to one's precision and purity without liquidating oneself and his surroundings? Is it possible to live with a visionary? What is the price of living without compromise? Collage as a method, fragments of memories, searching for one’s identity, ich-form. A feature documentary about the life and death of a radical architect David Kopecky.

A mime, long ignored for her art, is thrust into the limelight when she’s inexplicably trapped in a tangible box.

Colleagues, professional journalists and users comment on the masterpiece of the first lady of Czech architecture, Alena Šrámková... It is devoted to the building of the Faculty of Architecture of Czech Technical University, the work of the first lady of Czech architecture, Alena Šrámková, and from a distance brings users' perspective on how the building has succeeded over 10 years. Journalists who have been dedicated to architecture for many years, such as Karolína Vránková or Matěj Beránek, also collaborated on the film, and Bára Kopecká was in charge of the dramaturgical supervision.