Tunnel

Bagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just like in the movies.

A thirteen-year-old boy battling severe chronic asthma refuses to abandon his ambitions of joining the Indonesian National Youth Football Team, finding an extraordinary path to athletic rehabilitation through the intervention of a mystical Garuda entity and the strategic support of the head coach's daughter.

Pertiwi returns to her hometown after spending two decades in prison to rebuild her life. There, she finds power in things that have been abandoned: discarded electronic devices that mysteriously light up and a community of outcasts living on the fringes of society. But coming home also means confronting the four men who sent her to prison and now rule the village. Together with the outcasts, Pertiwi begins to uncover the darkness that still haunts the place - and the past she thought she had left behind.

A gifted artisan's journey of love and self-discovery unfolds as she defies tradition within Indonesia's clove cigarette industry in the 1960s.

Tells the story of Turah and Jadag who have optimism and hope to escape from the powerless life that Darso leads. Darso is a rich boss who controls Tirang village, so the people in Tirang village are afraid of Darso.

For the Broto family, managing their beloved Yogyakarta inn is no easy feat — especially when their youngest son falls in love with a married guest.

Set against Indonesia’s turbulent post-independence years in the 1960s, the story revolves around the domestic life of a woman whose personal life has been completely overturned by the political turmoil.

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

A re-edit of the film "Rumah dan Musim Hujan" (2012) by its producers. A provocative demolition of traditional family values, the film tackles a wide range of issues, from gay secrets to marital infidelity. After a dinner to mark the end of Ramadan, we follow three siblings through the rest of the night. Ragil looks after his dad, a doddery patriarch, but has a secret lover who visits when dad's asleep. His sister Ade has a terrible experience on the way home (she's lived with mum since the divorce), but the night has greater shocks in store for her. And the randy elder brother Raga is helping his current girlfriend through a pregnancy scare when his former girlfriend shows up at the door in distress.

A young mother to her son, Siti has to find ways and means to care for the boy, her husband and her mother-in-law. By day, she sells snacks; by night, she works as a karaoke guide. Tainted by her nighttime employment, Siti finds her husband no longer wishes to speak to her.

A martial arts master angers two of her protégés when she selects a third to take her post and the legendary weapon that comes with it.

Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.

Orphaned by a tragedy that took the lives of her parents, Srintil grows up in a poor Indonesian village aspiring to be a sacred dancer.

Ambar is a young mother who is forced to work in a sand mine after her husband mysteriously vanishes. But what she faces is not just the harshness of life, but also the intangible horrors that evoke old wounds and trauma.

Village Chief, found the corpses of the villagers who were eaten by Zombies, Man Eaters. The police, as well as villagers are moving to solve this case, why does the village head seem to be blocking him? Who exactly is he trying to protect even though the number of victims continues to grow?

Birth and death occur when the devil's horns rise. The terror of waiting for the birth of a child from a pre-pregnant marriage and the 14 day wait for death due to an implant that had not been removed.