Kafrun

Tarek loves his cousin Zubaida and travels to Spain to work in bullfighting under a pseudonym. Zubaida comes to Spain in search of her lover, but despite his pleas for her to return to Morocco, she continues to follow him.

Tayseer, a conservative man, has grown with a particular hang-up caused by his sister's marriage without his consent. When a man proposes to his daughter Kawthar, Tayseer vehemently opposes their relationship, even if the two are deeply in love. Is it too late to rid him of his hang-up?

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

The events takes place in the village of (Al-Kharba), near Al-Suwayda Governorate, as it highlights the lives of two families living in the village within a comedic framework.

Intersection of the roads of twins allotted years ago.

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

An epic love story between a well-to-do blind girl and a rebel, set against a historical background spanning 60 years of conflicts, secrets and intrigue.

Queen Nazli's daughter disappears at a young age, and the queen dies without seeing her. The heirs take advantage of the disappearance of the daughter to divide the wealth among them, but when the daughter suddenly appears, they try to stop her from having the wealth.

The Arab world's most beloved rogue is back. In this long-awaited return, Duraid Lahham resurrects his iconic Ghawar Tawasha — this time wrongly accused of murdering his wife and thrown behind bars for decades. Upon his release, he walks into a Syria grappling with the harsh economic realities of the nineties, determined to find his daughter and prove his innocence. Equal parts comedy and drama, it's warm, funny, and quietly heartbreaking — a homecoming worth waiting for.

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.

Due to the great success of the original TV series from 1972, this movie was created with almost identical actors and a slightly different plot. Two friends find themselves in an unexpected conflict when one of them, an employee working in a small hotel, falls for the hotel owner, but she is in love with his friend, a painter who has been staying in the same hotel for a long time, which creates jealousy and conflict between the two friends.

A traveler between two countries metaphorically named "Easternstan" and "Westernstan" loses his passport and identity papers. Stuck between the two countries he can neither cross the frontiers nor get back to where he came from. He's forced to camp in the neutral area between the two countries, facing a lot of funny situations while there. The movie satirizes the ideology of Arab unity and cooperation at the state level.

A father of four who works for the Police and his wife dreams that he finishes his university education so he can get promoted, joins the university but drops out after his wife dies. He then works as a cab driver and his children rent a room to (Amal) to increase their income.

This vehicle for Syrian comedian Duraid Lahham offers the most risqué mad scientist subplot to be found in any of these Lebanese films, thanks to his character visiting the inventor of the Sexatron, a machine whose precise practical purpose remains sketchy, although the method for causing it to blow up is outlined clearly enough in the screencaps below. This sequence evidently tested the censor's limits and contains three splices in the Lebanese version of the movie; it may well have escaped uncut in the Turkish edit of the film.