The Borders

Anemone is a Syrian play of purposeful and distinctive plays in the Arab world, and it is one of the socio-political plays, written by Muhammad Al-Maghout. The starring role was played by the artist Duraid Lahham and the Syrian Tishreen theatrical family, including Salma Al-Masri and a number of creative Syrian artists and artists

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

The events takes place in the village of (Al-Kharba), near Al-Suwayda Governorate, as it highlights the lives of two families living in the village within a comedic framework.

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

An epic love story between a well-to-do blind girl and a rebel, set against a historical background spanning 60 years of conflicts, secrets and intrigue.

Queen Nazli's daughter disappears at a young age, and the queen dies without seeing her. The heirs take advantage of the disappearance of the daughter to divide the wealth among them, but when the daughter suddenly appears, they try to stop her from having the wealth.

When a man gets out of prison, he starts looking for work, but he discovers that he is alone with no family, so he decides to return to prison again. He starts to commit many crimes to return to prison, but fails to attract the attention of the police.

The Arab world's most beloved rogue is back. In this long-awaited return, Duraid Lahham resurrects his iconic Ghawar Tawasha — this time wrongly accused of murdering his wife and thrown behind bars for decades. Upon his release, he walks into a Syria grappling with the harsh economic realities of the nineties, determined to find his daughter and prove his innocence. Equal parts comedy and drama, it's warm, funny, and quietly heartbreaking — a homecoming worth waiting for.

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.

Due to the great success of the original TV series from 1972, this movie was created with almost identical actors and a slightly different plot. Two friends find themselves in an unexpected conflict when one of them, an employee working in a small hotel, falls for the hotel owner, but she is in love with his friend, a painter who has been staying in the same hotel for a long time, which creates jealousy and conflict between the two friends.

A father of four who works for the Police and his wife dreams that he finishes his university education so he can get promoted, joins the university but drops out after his wife dies. He then works as a cab driver and his children rent a room to (Amal) to increase their income.

This vehicle for Syrian comedian Duraid Lahham offers the most risqué mad scientist subplot to be found in any of these Lebanese films, thanks to his character visiting the inventor of the Sexatron, a machine whose precise practical purpose remains sketchy, although the method for causing it to blow up is outlined clearly enough in the screencaps below. This sequence evidently tested the censor's limits and contains three splices in the Lebanese version of the movie; it may well have escaped uncut in the Turkish edit of the film.

An introverted former broadcaster chooses to detach himself from the overwhelming situation his country is going through, but the news of his daughter getting besieged in Aleppo break through his shield. A portrayal of the fragile and voluntary detachment as a coping mechanism with war and trauma.

Azmi, a legal adviser refuses to sign the budget of the celebration of a project as it's twice what was spent on the project itself. He gets fired from his work, and decides to write a comprehensive report of all the daily atrocities in the hope of presenting it to higher authorities.