Naine täna

Tõnu, student of agronomy, is a trainee at a flourishing collective farm. He finds out that there are many talented singers there among whom there is Malle with a specially beautiful voice. However, the local community club is closed and the singing ground has been turned into a pasture. Malle's father is the manager of the collective farm and considers singing a waste of time. When the collective farmers hear about Tõnu's conducting skills, they will act against the manager's will. The big song festival is going to be held soon and people want to go there. Preparations of the choir go well; however, the manager of the collective farm gives no permission to take part in the festival. Singers are losing their hope, but then comes a helping hand.

Jaak is a young labourer always facing some kind of issues and it seems he always rides for a fall. At the construction work of a new thermal power station, Jaak meets young people from the Young Communist League who won't find faults with him and are ready to help him out.

For a long time, the forest was more powerful than a human being. The forest was independent and autonomous. Things have changed. The filmmakers observe a forest warden doing his job in the forest with love and care. He answers the questions asked by Fred Jüssi, contemplates on the connections between man and environment and explains human responsibility for taking care of the forest. The forest warden considers himself as a part of the big chain called nature protection.

The authors of the film have set the goal of explaining to the viewer that self-medication for sexually transmitted diseases is harmful. It is necessary to overcome false shame, not to listen to the advice of acquaintances-friends, but to turn to a specialist in a timely manner and act on their advice.