Gonorröa iseravimise ohtlikkus

Tõnu, student of agronomy, is a trainee at a flourishing collective farm. He finds out that there are many talented singers there among whom there is Malle with a specially beautiful voice. However, the local community club is closed and the singing ground has been turned into a pasture. Malle's father is the manager of the collective farm and considers singing a waste of time. When the collective farmers hear about Tõnu's conducting skills, they will act against the manager's will. The big song festival is going to be held soon and people want to go there. Preparations of the choir go well; however, the manager of the collective farm gives no permission to take part in the festival. Singers are losing their hope, but then comes a helping hand.

Jaak is a young labourer always facing some kind of issues and it seems he always rides for a fall. At the construction work of a new thermal power station, Jaak meets young people from the Young Communist League who won't find faults with him and are ready to help him out.

The film tries to make sense of the role of women in 1970s Estonia. The activities of men and women in different spheres of life are compared, the woman as a mother, caregiver and worker is examined, as well as the woman's aspirations for beauty and goodness.

For a long time, the forest was more powerful than a human being. The forest was independent and autonomous. Things have changed. The filmmakers observe a forest warden doing his job in the forest with love and care. He answers the questions asked by Fred Jüssi, contemplates on the connections between man and environment and explains human responsibility for taking care of the forest. The forest warden considers himself as a part of the big chain called nature protection.