The Barrier

During a rebellion of prisoners at the San Quentin State Prison, Boston Blackie makes a lightning escape aided by Mary McGinn while chased prison guards. Mary is a school girl, unaware that her brothers are crooks. She is expelled from school. Blackie rejoins his gang and takes refuge in Mother McGinn's house, where he again meets Mary. She devotes herself to making Blackie go straight and wins her point.

The story of two feuding Irish immigrant families living in a tenement.

Stirring romance, hard riding, desperate fighting with the Cossacks playing their game of war and chivalry. A mighty picturization of Count Leo Tolstoi's famous novel of the same name.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

French-language version of "The Big House" (MGM, 1930), with Charles Boyer in Chester Morris's role, filmed by MGM parallel to the English-speaking version, at a time when good subtitles weren't yet in use.

Six friends, all hoping to become aviators, are to graduate the next day from the United States Naval Academy. When the officer of the day becomes sick, Tommy Winslow has to take his place, while the others go out and celebrate.

The story of two Naval crewmen who work hard at sea and play harder on land.

Convicted of manslaughter for a drunken driving accident, Kent Marlowe is sent to prison, where he meets vicious incarcerated figures who are planning an escape from the brutal conditions.

U.S. Marine Sergeant O'Hara has his hands full training raw recruits, one of whom, 'Skeets' Burns, is a particular thorn in his side. If Burns's lackadaisical approach to the military were not bad enough, he also makes advances on nurse Nora Dale, whom Sergeant O'Hara secretly loves. Nora is oblivious to O'Hara's feelings and is attracted to the handsome 'Skeet.' But an indiscretion turns her against him, and it takes an expedition to China and a battle with a warlord's bandit brigade to sort things out among the nurse and her two Marines.

Mamie, an orphan girl who was abused in the orphanage, is taken in by Mrs. Caldwell, a kindly woman with a young son named Alexander. Mamie hits it off with the lad, and nicknames him "Zander". When Mrs. Caldwell dies, the authorities decree that the boy must be placed in the same orphanage where Mamie was mistreated. Horrified, Mamie determines to see to it that the boy will be spared the same treatment that she had to suffer.

Min, the owner of a dockside hotel, is forced to make difficult decisions about the future of Nancy, the young woman she took in as an infant.

When circus aerialist Polly Fisher is injured, she is taken to the nearby home of minister John Hartley. The two fall in love and marry secretly. But when the news leaks out, the minister loses his pastorate over disdain by the parishioners for Polly's background as a performer. Polly must decide whether to stay with the man she loves or leave him for the good of his calling.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

The story of St. Gabriel, who was killed by an ignorant mob for making a nude statue representing Purity, who is also represented by a ghostly naked girl that flits through the film.

Wastrel son of a railroad magnate, Jack's father becomes frustrated with his son's wild ways. To prove himself, Jack goes to work in the railroad yard as a laborer. An escaped convict, Silent Bill Brachley, steals Jack's car, and the chase leads to a meeting between Jack, the engineer of the Midnight Express, and the engineer's pretty daughter, Mary. As he is led back to jail, Brachley swears revenge.

Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."