In the Golden Age of Chinese Craftsmanship

In 1920s China, 19-year-old Songlian becomes a concubine of a powerful lord and is forced to compete with his three wives for the privileges gained.

Entry on Taiwanese new-wave filmmaker Hou Hsiao-Hsien for French television's "Cinéma, de notre temps" series, directed by Olivier Assayas.

A-Guo and A-Dou are two teenagers living in an industrial town in Taiwan, who fight, loaf, and cause trouble all day and hang out with Jie, a young gangster. When Jie's gangland patron is gunned down, the trio set out to revenge the killing. As a result, the two teens are forced into hiding.

A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.

Set in the late 1980s, this family drama is about an 11-year-old boy who befriends his landlord, nicknamed Old Fox, and learns from him how to survive in a rapidly changing world as well as things his poor father would never be able to teach him.

The story of a family embroiled in the "White Terror," the Kuomintang government's anti-communist political repression that was wrought on the Taiwanese people from 1947-1987.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.

Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.

Composed of three separate stories, the film vividly portrays Taiwan during the cold war period when the country developed its economy with help from the United States.

In this portrait of small-time hoods rendered in rhythm-of-life anecdotal detail, Gao is the leader of a circle of layabouts including his sidekick, Flathead, and their girlfriends, Pretzel and Ling. He is also the originator of petty crime schemes, which promise to get the gang nowhere fast.

Leading Taiwan cinema names Hou Hsiao-hsien (“The Assassin,” “The Puppetmaster”) and Lee Kang-sheng (“Days,” “Goodbye, Dragon Inn”) are attached to “Twisted Strings”, a TV anthology series backed by HBO Asia and streamer Catchplay.The seven-part series is written and directed by Golden Horse-nominated director, Huang Xi (“Missing Johnny”). Hou is attached as the series executive producer. Lee, who has appeared exclusively in films over the past 30 years, notably those of famed Malaysian director Tsai Ming-liang, stars.

In 2011, Vicky looks back on her life a decade earlier, recalling her turbulent relationship with her controlling boyfriend Hao Hao and her growing connection to a compassionate gangster amid the neon haze of Taipei's nightlife.

At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.