Three Times

Three Times

2005 · 130 min · ★ 6.9 · Romance, Drama

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

Directed by Hou Hsiao-hsien · Written by Chu Tien-Wen

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Entry on Taiwanese new-wave filmmaker Hou Hsiao-Hsien for French television's "Cinéma, de notre temps" series, directed by Olivier Assayas.
Dust in the WindDust in the Wind · 1986
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Taipei StoryTaipei Story · 1985
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A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.
A Summer at Grandpa'sA Summer at Grandpa's · 1984
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That Day, on the BeachThat Day, on the Beach · 1983
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Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.
The Time to Live and the Time to DieThe Time to Live and the Time to Die · 1985
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The Boys from FengkueiThe Boys from Fengkuei · 1983
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Leading Taiwan cinema names Hou Hsiao-hsien (“The Assassin,” “The Puppetmaster”) and Lee Kang-sheng (“Days,” “Goodbye, Dragon Inn”) are attached to “Twisted Strings”, a TV anthology series backed by HBO Asia and streamer Catchplay.The seven-part series is written and directed by Golden Horse-nominated director, Huang Xi (“Missing Johnny”). Hou is attached as the series executive producer. Lee, who has appeared exclusively in films over the past 30 years, notably those of famed Malaysian director Tsai Ming-liang, stars.
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Flowers of ShanghaiFlowers of Shanghai · 1998
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At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.
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