Joensuun Elli

The events surrounding a factory in a small town are gone through in documentary style.

A group of men all called Frank—except for one named Pekka—have had enough of life in their working-class neighborhood, so they set off for a better existence in the magical seaside district of Eira. But the way is long, and the group face many hurdles including stray dogs and defunct streetlights.

Ossi hasn't seen his daughter for over ten years. Suddenly she arrives to figure out what kind of person her father is and why she wasn't good enough for him.

Young Alex Sammakko has seen his brothers defy the law in a series of deeds that first land them in jail, and then, after they escape and return to their rural home, land them back in the lap of their locally notorious family. Alex wants nothing to do with them. He is in love with Mirja, whose family is not that different from the Sammakko's, but who shares Alex's viewpoints and feelings. Not helping matters is a police department convinced that all Sammakkos are bad, and the family itself, pressuring Alex to follow in their murky footsteps.

A woman who has been raped by a man at a party plots and executes an elaborate and humiliating revenge.

Kari Syysmäki, a Finnish Businessman is on a vacation with his wife in Tallinn. When his wife is away a young man enters their hotel room with a gun. He tells to the businessman that he has just tried to rob a bank, but accidentally shot one of the clerks. Now he's hiding from the cops. But when the bank robber forgets his gun on the table, Syysmäki grabs it and shoots him in the back. After that Syysmäki refuses to travel back to Finland with his wife. He stays in Tallinn and soon he's about to face both the cops and the mob of Estonia.

Emotions is an episodic film compiled from the theatrical short films of four first-time directors. Directed by Kalevi Korte, Liukastelua tells the story of a young man who helps a woman who has slipped on the street. The accident marks the beginning of a romance. Confiteor, based on a screenplay by Jyrki Lappi-Seppälä and directed by Jaakko Talaskivi, is a story about the friendship between two men that ends with the death of one of them. Leena Salokangas' Toivo, rakkaus (Hope, Love) is the story of a young married woman's one-night stand with a stranger. The final episode is Kristiina, directed by Asko Tolonen. Kristiina Halkola, who plays the title character, suspects she is pregnant.

The story of a modest man, played by Ilkka Heiskanen, who decides to become a mercenary in the Yugoslavian civil war. This decision leaves him completely destitute. His parents do not approve of his decision, nor do his friends at the local bar.

Without money, without papers, and without language skills, Pena manages to get by in Fuengirola, whether on the beach, in restaurants, or at pig festivals.

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

The Torniainen are a couple consisting of Raija, a flight attendant, and Hanski, a civil engineer. They have long wanted to have a child. Tests show that Hanski is infertile, and the doctor offers little hope.

Redbeard leaves Finland to spend time in Berlin wandering in and out of bars. He meets up with a beautiful Italian waitress, who spends one night with him but is then dismissed.

This is a sad story of Eros and Psyche. Sadder than the ancient myth that was only a dream after all. In my story, the characters learn nothing.

Paavo Mäkinen's alcoholism is hard on the whole family. His wife Terttu falls into depression and is hospitalized. Their children Marja, Tapsa, and Sanna each show symptoms in their own way: leaving home, drinking, skipping school. Will Paavo manage to stop drinking for the sake of his family?

Lauri Valjakka, a lecturer at the Department of Sociology, is thoroughly fed up with his family, whom he refers to as a "consumption unit," and his irritating, rigid wife. After a tedious train journey, Valjakka decides to leave his wife. He manages to escape to a station restaurant, where he meets an unusually honest man who has been abandoned and a straightforward woman.

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.