Dirlandaa

The story follows Commander-in-Chief Mannerheim and Quartermaster General Airo at the Finnish Defense Forces headquarters in Mikkeli during the decisive moments of the Continuation War in the summer of 1944. With a major offensive on the Karelian Isthmus imminent, Airo gives the order to attack without consulting the commander-in-chief.

Ossi hasn't seen his daughter for over ten years. Suddenly she arrives to figure out what kind of person her father is and why she wasn't good enough for him.

A group of men all called Frank—except for one named Pekka—have had enough of life in their working-class neighborhood, so they set off for a better existence in the magical seaside district of Eira. But the way is long, and the group face many hurdles including stray dogs and defunct streetlights.

Anni wants a new mommy for herself and a new wife for her dad. But dad has forgotten how to find a wife and needs Anni's help.

Lieutenant Takala meets his fellow partisans of 20th division many year after the war. With flashbacks we see the events of summer 1944.

Emotions is an episodic film compiled from the theatrical short films of four first-time directors. Directed by Kalevi Korte, Liukastelua tells the story of a young man who helps a woman who has slipped on the street. The accident marks the beginning of a romance. Confiteor, based on a screenplay by Jyrki Lappi-Seppälä and directed by Jaakko Talaskivi, is a story about the friendship between two men that ends with the death of one of them. Leena Salokangas' Toivo, rakkaus (Hope, Love) is the story of a young married woman's one-night stand with a stranger. The final episode is Kristiina, directed by Asko Tolonen. Kristiina Halkola, who plays the title character, suspects she is pregnant.

The film shows how Midsummer was celebrated in North Karelia in 1973.

When a new man appears in Tuula's life, Jorma does not tolerate the idea and begins to yearn back for his ex-wife. They drift into a situation where both face a big choice that has far-reaching implications for the rest of their lives.

A group of three male friends with domestic problems behave badly.

The story of a modest man, played by Ilkka Heiskanen, who decides to become a mercenary in the Yugoslavian civil war. This decision leaves him completely destitute. His parents do not approve of his decision, nor do his friends at the local bar.

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

Laila is an innocent Lappish girl and the only daughter of a reindeer herder. During World War II, Laila rescues a crashed German fighter pilot, Hans, and the two develop warm feelings for each other during his convalescence. Years later, after the war, Hans returns to Lapland as a freelance photographer and manages to lure Laila to run away with him to the capital, Helsinki, to start a career as a photo model, much to the chagrin of her traditional father, Aslak. After initial happiness, however, Hans abandons Laila, and the decadent lifestyle of a big city sends her life into a downward spiral.

Redbeard leaves Finland to spend time in Berlin wandering in and out of bars. He meets up with a beautiful Italian waitress, who spends one night with him but is then dismissed.

This is a sad story of Eros and Psyche. Sadder than the ancient myth that was only a dream after all. In my story, the characters learn nothing.

Lauri Valjakka, a lecturer at the Department of Sociology, is thoroughly fed up with his family, whom he refers to as a "consumption unit," and his irritating, rigid wife. After a tedious train journey, Valjakka decides to leave his wife. He manages to escape to a station restaurant, where he meets an unusually honest man who has been abandoned and a straightforward woman.

Paavo Mäkinen's alcoholism is hard on the whole family. His wife Terttu falls into depression and is hospitalized. Their children Marja, Tapsa, and Sanna each show symptoms in their own way: leaving home, drinking, skipping school. Will Paavo manage to stop drinking for the sake of his family?