On The Moon

An idealistic Kusum writes a play celebrating modernization, produced by her lover Ramesh, drawing the ire of the villainous Madhav. A local Raja also seeks Kusum's hand, offering to settle her father's debts. This complex situation escalates into kidnappings and murders before a happy ending. Known for its musical numbers, this big-budget drama ultimately led to the demise of Krishna Film Studio.

Chitrasen inadvertently humiliates Gabal Rishi, who approaches Bhagwan Shri Kishan and prays that the former be punished. Kishanji readily agrees to punish Chitrasen by beheading him with the Sudarshan Chakra. When no amount of pleas for mercy are adhered to, a compassionate Subhadra, moved by Chitrangini's plight, asks her spouse, Arjun, to intervene. The later, at first, refuses to take up arms against Kishanji, his friend, but subsequently relents - resulting in war - that will not only end their friendship - but may well also destroy the universe and annihilate Arjun, his brothers and their entire army.

A comic tale of a poet and his fan both in love with each other and relentless efforts by his would be father in law to not let them marry each other. Instead, he wants his daughter to be married to the poet's friend.

A rich, fatherless young man named Vijay faces betrayal when his greedy brother-in-law, Kampta Prasad, plots to seize his inheritance. Led astray by city life and losing his fortune, Vijay's struggles are silently supported by his devoted sister. But when Kampta Prasad sets his sights on Vijay's childhood sweetheart, Dulari, a vengeful Vijay returns, ultimately becoming a brilliant eye specialist who holds Kampta Prasad's fate in his hands. It's a gripping melodrama of deception, resilience, and poetic justice.

Chittor Vijay is a 1947 Hindi language film directed by Mohan Sinha, featuring Raj Kapoor and Madhubala in the lead roles.

Exotic adventure drama juxtaposing feudal pleasures with a new world imagery represented by American modernity. Heroine Chandrakala (Nurjehan), daughter of the dewan of a native king, is educated in England and lives in America. She refuses to marry the prince of her ancestral state, an insult that causes her father to be dismissed. She makes amends by disguising herself as a man and becoming the prince’s secretary. A noted sequence set in America features an Indian pilot, Premsingh, who loves Chandrakala and offers to fly her entourage back to India in a Zeppelin, but a mid-flight drama forces the passengers to parachute to safety.

Historical fiction drama set during the Indian Rebellion of 1857, also known as the First war of Independence.

India has finally won independence from British rule, and there are signs of progress among the population. One such sign of progress is in the village where two childhood sweethearts, namely Jeet and Vijay live. Vijay lives with his mom and brother Ratan. Ratan, who lives abroad, returns home to India, with all new ideas of progress and advancement. This is not met well with some of the villagers, including Jeet and Vijay themselves. Ratan overhears a conversation that Vijay is not his real brother, and asks Vijay to leave the house, despite of his mother's protests. Self-respecting Vijay leaves the house, and Ratan plans to marry Jeet, and schemes with some villagers that will revolutionize his plans for progress, and make Vijay the culprit.

The film depicts Omar Khayyam's life, including his rejection of dancer Mahru, which prompts her and rival Ghiyas Beg to persecute him. Despite exile and suffering, Khayyam persists in his humanitarian and scientific work. The plot concludes with his unjust conviction and death sentence for treason, followed by eventual vindication.

A rebellious young woman defies her conservative surroundings and falls in love, setting off a sequence of emotional and social complications. Along the way, she crosses paths with an idealistic doctor suffering from consumption, whose romantic ideals blur the line between healing and heartache. With hints of a "taming the shrew" arc and melodramatic entanglements, Anuradha explores love, agency, and constraint—though much of its story remains lost to time.

A flamboyant film producer Ramesh dotes on his glamorous star, Kishori, while avoiding a return to his village — and the wife he married in childhood, Rajni, whom he hasn’t seen since. When Rajni shows up in the city after a quarrel, unaware she’s competing with Kishori for her own husband’s affection, mistaken identities and meddling antics spark a lively “wife versus mistress” comedy of love, loyalty, and chaos.

A courtroom drama or a social film centered around a legal professional