Allama

Anveshane

In the mid-1980s, Shaam (Anant Nag) and Revati (Smita Patil) live in a Vatara (housing complex) with a host of other families and two little girls.

Sandpaper

A young girl goes in search of her father and meets a man on a river bank. That meets leaves her with lot of questions and also few solutions to live in a pluralistic society.

Aahuthi

A young woman is married against her will. After she delivers a baby, the child grows up to become a fine girl, who fights to ensure that her mother gets justice for everything she went through.

Mysooru Mallige

Padma is in love with poet Manju. After he goes missing while trying to save a friend from nationalists, a heartbroken Padma decides to get his poems published.

Bangarada Jinke

A young man sets out on a treasure hunt to capture a golden deer with magical powers. However, he soon learns secrets from his past life which shock him.

Grahana

In an annual village ritual six untouchables are chosen to be high caste figures for two weeks and have to undergo intensive and vigorous purification and mortification processes.

Onti Dhwani

Onti Dhwani is a 1984 Kannada drama film directed by T.S. Nagabharana. The film is based on a novel by Sujatha.

Kaadu

A rural drama about the rivalry between two villages as seen through the eyes of a young boy, Kitti.

Accident

Young man kills people sleeping on the footpath while driving under influence. Young man's influential father struggles to silence the police investigation and media coverage.

Tabbaliyu Neenade Magane

The movie explores the cultural problems experienced by an American woman, newly married to an Indian, adjusting to Indian norms and customs. It depicts a modern man who studies agriculture in the United States, returns to India with an American wife with their different views. The theme is one alienation from the fellow human beings.

Aasphota

Aasphota (transl. Explosion) is 1988 Indian Kannada political drama film directed by T. S. Nagabharana, based on the novel Ayana by Manu (P. N. Rangan). The film stars Sridhar and H. G. Dattatreya, in his film debut, in the lead roles

Nagamandala

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

K.G.F: Chapter 1

A period drama set in the 1970s, KGF follows the story of a fierce rebel who rises against the brutal oppression in Kolar Gold Fields and becomes the symbol of hope to legions of downtrodden people.

K.G.F: Chapter 2

The blood-soaked land of Kolar Gold Fields (KGF) has a new overlord now - Rocky, whose name strikes fear in the heart of his foes. His allies look up to Rocky as their Savior, the government sees him as a threat to law and order; enemies are clamoring for revenge and conspiring for his downfall. Bloodier battles and darker days await as Rocky continues on his quest for unchallenged supremacy.

Saagara Deepa

Kumar finds that the fishermen in his village are exploited by a middleman, Bantappa. He creates an entity for them to directly sell fish to customers but Bantappa uses his might to bring it down.

Ondanondu Kaladalli

After Gandugali, a mercenary, rescues a band of soldiers, their chieftain asks him to train them in order to fight the chieftain's rival brother.