Bangarada Jinke

In the mid-1980s, Shaam (Anant Nag) and Revati (Smita Patil) live in a Vatara (housing complex) with a host of other families and two little girls.

A young woman is married against her will. After she delivers a baby, the child grows up to become a fine girl, who fights to ensure that her mother gets justice for everything she went through.

A young girl goes in search of her father and meets a man on a river bank. That meets leaves her with lot of questions and also few solutions to live in a pluralistic society.

Padma is in love with poet Manju. After he goes missing while trying to save a friend from nationalists, a heartbroken Padma decides to get his poems published.

Onti Dhwani is a 1984 Kannada drama film directed by T.S. Nagabharana. The film is based on a novel by Sujatha.

In an annual village ritual six untouchables are chosen to be high caste figures for two weeks and have to undergo intensive and vigorous purification and mortification processes.

A rural drama about the rivalry between two villages as seen through the eyes of a young boy, Kitti.

Young man kills people sleeping on the footpath while driving under influence. Young man's influential father struggles to silence the police investigation and media coverage.

The movie explores the cultural problems experienced by an American woman, newly married to an Indian, adjusting to Indian norms and customs. It depicts a modern man who studies agriculture in the United States, returns to India with an American wife with their different views. The theme is one alienation from the fellow human beings.

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

A period drama set in the 1970s, KGF follows the story of a fierce rebel who rises against the brutal oppression in Kolar Gold Fields and becomes the symbol of hope to legions of downtrodden people.

The blood-soaked land of Kolar Gold Fields (KGF) has a new overlord now - Rocky, whose name strikes fear in the heart of his foes. His allies look up to Rocky as their Savior, the government sees him as a threat to law and order; enemies are clamoring for revenge and conspiring for his downfall. Bloodier battles and darker days await as Rocky continues on his quest for unchallenged supremacy.

Kumar finds that the fishermen in his village are exploited by a middleman, Bantappa. He creates an entity for them to directly sell fish to customers but Bantappa uses his might to bring it down.

After Gandugali, a mercenary, rescues a band of soldiers, their chieftain asks him to train them in order to fight the chieftain's rival brother.

A lovelorn village boy and girl cross all barriers of caste and tradition to unite in a meaningful manner.

The story is based on the life of acclaimed saint poet Shishunala Sharif who wrote several moral poems striving towards social reformation. A collection of Sharif's poems are set to tunes by C. Ashwath, who also did the major playback singing.