Border Brujo

Julia, a struggling actress living in San Diego, hits the road after an ex-boyfriend in Spokane, WA, sends her a postcard proposing marriage.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

In 1930s Los Angeles, Mexican immigrant Pedro J. González becomes a pioneering Spanish-language radio star before being wrongly convicted and imprisoned at San Quentin.

When a mysterious fog surrounds the boundaries of California, there is a communication breakdown and all the Mexicans disappear, affecting the economy and the state stops working missing the Mexican workers and dwellers.

A portrait of the Jewish-American communities of El Paso, Texas from the nineteenth century to today.

Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.

Stories of modern-day New Mexican Catholics, whose secret was their hidden Jewish roots.

In these seven short video performances directed by Isaac Artenstein, Gómez-Peña confronts Mexican-American culture clashes, stereotypes, and the Fourth World (immigrants). Speaking through a bullhorn or on the airwaves of mock-station Radio Latino FM, he broadcasts a message that will not be silenced. He delivers such comic comparisons as between “tacos without salsa” and “art without ideas” and such pointed statements as “thanks to marketing and not to civil rights, we are the new generation.” The taped monologues include Son of Border Crisis, El Post-Mojado, The Mexican Fly, Dear Californian, Employer Sanctions, The Year of the Yellow Spider, and The Year of the Hispanic.

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve. As he sits, he calls friends, family and ex-lovers, excusing himself from all their celebrations. Luna tells us, "In the work there is a thin line between what is fictional and what is non-fiction, and what is real emotion and what is art. … There is a cultural element where I let (or seem to let) people in on American Indian cultures. There are also elements in the work about American culture that everyone can identify with, and that makes for an understanding that we are all more alike than different."