Guillermo Gómez-Peña

Acting

Guillermo Gómez-Peña

Born September 23, 1955 · Mexico City, Mexico (age 71)

Guillermo Gómez-Peña is a Mexican/Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art. His ten books include essays, experimental poetry, performance scripts and chronicles in both English, Spanish and Spanglish.

Known For

A Song Often Played on the RadioA Song Often Played on the Radio · 2019
A Song Often Played on the Radio
2019
MovieWestern
In a search for the mythological Cities of Cibola, a horseman finds himself in a race against another rogue seeking the valuable metals of the New Mexican desert. Spurred by the justification of moralistic 'dichos', the rival explorers come to learn about what truly brought them to this land, understanding their true identities, and finding they were only stealing from themselves.
FrontierlandFrontierland · 1995
Frontierland
★ 7.01995
MovieDocumentary
This DVD examines the multiple points of cultural contact between the United States and Mexico. From the Santa Barbara Fiestas and South Carolina's kitschy "South of the Border" tourist complex, to a Mexican Beatles cover band and Chicano rap, this film reveals the borderlands as a laboratory of hybridity that continues to ignite the popular imagination of each nation. Working at the boundaries of experimental film and documentary travelogue, this film weaves together found footage, interviews, performance art, and music video, producing a masterful commentary that is at once poetic, disturbing and hilarious. Includes appearances by Guillermo Gómez-Peña and Aztlán Underground, among others.
Welcome to the Third WorldWelcome to the Third World · 2004
Welcome to the Third World
2004
Movie
I talk. Therefore I am.
The Couple in the CageThe Couple in the Cage · 1993
The Couple in the Cage
★ 7.01993
MovieDocumentaryDrama
A witty satire about cultural stereotyping. In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as "undiscovered AmerIndians" locked in a golden cage - an exercise in faux anthropology based on racist images of natives. Presented eight times in four different countries, these simple performances evoked various responses, the most startling being the huge numbers of people who didn't find the idea of "natives" locked in a cage objectionable. This provocative video, directed and produced by Coco Fusco and Paula Heredia, suggests that the "primitive" is nothing more than a construction of the West, and uses comic fiction to address historical truths and tragedies.
Bizarre Thanksgiving Performance RitualBizarre Thanksgiving Performance Ritual · 2013
Bizarre Thanksgiving Performance Ritual
2013
Movie
A Thanksgiving Ritual
The Great Mojado Invasion, Part 2The Great Mojado Invasion, Part 2 · 2011
The Great Mojado Invasion, Part 2
2011
Movie
Like a ghost from the future, "El Mad Mex’" narrates this hybrid-genre video, which envisions a queue of mojados who re-conquer lost Mexican territory to establish the new U.S. of Aztlan.
Instant Identity RitualInstant Identity Ritual · 2007
Instant Identity Ritual
2007
Movie
Guillermo Gomez-Pena's Identity Ritual

Filmography

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The Couple in the CageThe Couple in the Cage · 1993
The Couple in the Cage
★ 7.01993
MovieDocumentaryDrama
A witty satire about cultural stereotyping. In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as "undiscovered AmerIndians" locked in a golden cage - an exercise in faux anthropology based on racist images of natives. Presented eight times in four different countries, these simple performances evoked various responses, the most startling being the huge numbers of people who didn't find the idea of "natives" locked in a cage objectionable. This provocative video, directed and produced by Coco Fusco and Paula Heredia, suggests that the "primitive" is nothing more than a construction of the West, and uses comic fiction to address historical truths and tragedies.