Le Bourgeois gentilhomme

It is with a semblance of chronology and to the rhythm of Antoine De Caunes' not unpleasant voice-over that we are told the story of this unusual troublemaker, who, with his extraordinary ease of writing, put the competition light years away in the 1980s. A mini-documentary that reminds us, if it were necessary, that intellectual buffoonery died with Pierre Desproges.

In the forest, knight-errant Hans meets and falls in love with Ondine, a water-sprite who is attracted to the world of mortal man.

Les Deschiens is a French-language comedy television series. It was broadcast from 1993 to 2002 on Canal + (France).

During World War II, a woman aboard a railroad car full of deportees slips French railway worker Julien a note with an address and a simple message: "I am alive, and I love you," and he decides to track down the intended recipients. When he finds the woman's Jewish family, he is inspired to do what he can to protect them from the Nazi atrocities.

A staging of Paul Claudel's play "Partage de Midi" by Antoine Vitez.

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

An illiterate and lonely man bonds with an older and well-read woman.

An analysis of French director Jacques Tati's 1957 film "Mon oncle" which discusses the stylistic similarities between it and the other Monsieur Hulot films.

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.

Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.

Marianne, the wife of a wealthy industrialist from Lorraine, envied and admired, a model wife and devoted mother, is about to turn 40, and the comfort of the vast family home has slowly closed its merciless trap around her. So, when the shadow of her past resurfaces, a breach opens. Would another life be possible? And at what price?