Jérôme Deschamps

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

An analysis of French director Jacques Tati's 1957 film "Mon oncle" which discusses the stylistic similarities between it and the other Monsieur Hulot films.

Late 1950s in France. One woman, two men. She, Ève Faugère, a glamorous diva at the peak of her career. The man, her husband, Maurice Faugère, an immense author who made her and propelled her for years to the firmament of the song. And finally the lover, Jean Leprat, her pianist who adores her and burns with passion for her. The atrocious poison of jealousy will consume them to the point of tragedy, the trap of a Machiavellian plot will take them all three. And she, the other one, the so pretty Florence, so fresh. This ambitious young singer, ready to do anything to overthrow the one she admires, is she not also caught in the trap of a diabolical game that is beyond her? Where does the danger come from? Who is orchestrating this fatal merry-go-round engraved in the vinyl of the brand new singles that brings its poisonous message every day? Who will die? Who will survive?

An illiterate and lonely man bonds with an older and well-read woman.

Marianne, the wife of a wealthy industrialist from Lorraine, envied and admired, a model wife and devoted mother, is about to turn 40, and the comfort of the vast family home has slowly closed its merciless trap around her. So, when the shadow of her past resurfaces, a breach opens. Would another life be possible? And at what price?

Clear Skies, Light Breeze, is a 2013 visual essay by Tati expert Stéphane Goudet about the debut of Monsieur Hulot

In the forest, knight-errant Hans meets and falls in love with Ondine, a water-sprite who is attracted to the world of mortal man.

Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.