Save Baby William

Lyalya didn’t have a boyfriend for a long time, but finally he appeared, or rather, she created him in the metaverse. It's time to introduce the groom to his parents, but they live in the real world, which is not at all familiar to the avatar. The meeting turns into an absurdity that turns Lyalya's world upside down, and the avatar-lover thinks about a real family.

Katya and Pasha are a Moscow student couple in their early twenties. They don't care about politics or authorities. They aren't really rebellious, they just want to be left alone and have fun. One day they come to a punk concert at a small club, but two rogue policemen stop the show in the middle of it - there are no formal grounds to do that, but the policemen just enjoy their power. Katya tries to reason with one of the officers, but he reacts in a brutal way, and Pasha has to defend her. Katya and Pasha escape and they hope they're safe. But in Russia, you shouldn't mess with the police, and next morning, the young people learn that they are in trouble. Their only way out is to pay the policemen off, and they embark on a mission of getting the cash - borrowing, begging, doing whatever they can. And they only have several hours to come up with the cash.

In the measured and quiet everyday life of Tanya, Sergei, who was late for the Moscow train, appears. The world of a small station town with ancient temples opens up to him. He becomes imbued with Tanya’s church chants and learns the history of her family, traumatized by the loss. A new life begins for the girl in agonizing anticipation of meetings accompanied by the sound of the wheels of passing trains.

Vova is a young man. He is unable to find a common language with his family, because he believes that the whole world around him is just a fuss and a flurry. Being late for his younger brother's birthday, he finally quarrels with his family. Coming to the girl's aid in a street fight, Vova receives a blow that sends him into the world that Vladimir has been building so hard around himself. Are beliefs worth living?

The first century of one of the most famous Moscow scenes has come to its logical conclusion. Now the theater is looking into the future, into a new century, but what does it see there? How does the theater feel, having crossed the century-old threshold?What is he thinking about? What is he talking about? Where is he going? What is the temperature of his "body"?

A humorous show for children, their parents and their parents' parents.