PROLOGUE

"This film was originally intended to set up the projector scratching the film and destroying the image. But, I don't know why the work stored in VHS format." [Jun Kurosawa]

Experimental film in which three girls and one boy lead playful lives. Just as a game, in which the course is determined from beginning to end by certain rules, can be played time and again, their lives are also endless repetition. This eventually results in a loss of a sense of time, for past and future. The four are permanently surrounded by cameras and projectors. In this way we see how photos are repeatedly taken of one of the girls and the boy keeps staring at a film screen. Everything which cannot be repeated is the object of their hatred. One day a woman appears in their lives and wants to die. The four try to involve her in their game, but the opposite happens: the fact that the woman is different disrupts their self-made world. Having playacted a funeral for the woman, they become more and more entangled in their own game.

Un Ange Passe (idiom: "used to indicate that one has noticed a long silence, especially a pause in a conversation") is a science fiction about a girl who survived after a nuclear fallout at the end of 20th century. She tries to communicate with others by using a future gadget, but she misunderstands the contacts from others as a delusion and makes an imaginary character in her mind.

A genius forensic scientist pushes around one of her students while investigating a case.

A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway.

Experimental film about the schizoid man by using double exposure. The title includes a double meaning, that is "now here" being here – and "nowhere" to not be anywhere. In this lyrical work, Jun Kurosawa analyzed himself schizophrenically.

An apple flows down the stream of a mill where innumerable illusions of fish appear and disappear in the sky reflected in the water.

As the filmmaker metaphorically represents the “romanticism as love towards mineral,” they are gathered through the act of shooting (the physical movements on camera) and they are a collection of images being put in the film; these meanings are to be interpreted by the audience.

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

Using the constellation as a motif, the heavens and the earth, metamorphose all the creatures.