Jun Kurosawa

Yuka Tachihara is 18 years old. Have you ever looked into the depths of the tears filling her eyes? In a bath full of bubbles, she is embraced passionately by the person who entered her imagination...

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

"This film was originally intended to set up the projector scratching the film and destroying the image. But, I don't know why the work stored in VHS format." [Jun Kurosawa]

A genius forensic scientist pushes around one of her students while investigating a case.

An experimental short film by Japanese filmmaker Jun Kurosawa.

Experimental film about the schizoid man by using double exposure. The title includes a double meaning, that is "now here" being here – and "nowhere" to not be anywhere. In this lyrical work, Jun Kurosawa analyzed himself schizophrenically.

This nonsense short drama was created for the film festival "Very Very Short" at the Tollywood Theatre in Shimokitazawa. At that time, the condition was (1) two minutes, (2) insert a date, and (3) within the film include the word of "Sa-yo-na-ra".

An apple flows down the stream of a mill where innumerable illusions of fish appear and disappear in the sky reflected in the water.

Experimental animation about the memory of childhood. 1 or 2 second paint footage that shot a baby who turned his face is repetitive. In Jun Kurosawa's works, the childishness is one of the most important factors. And it includes malicious in some cases – as Yukio Mishima has said "It is infantilism that all creative womb is".

The view of an amusement park that's shot by a fixed camera changes into an uncanny one by painting directly onto celluloid and strange sounds. It is an attempt to approach the inner world through the common view by private eye of the author himself.

Experimental film in which three girls and one boy lead playful lives. Just as a game, in which the course is determined from beginning to end by certain rules, can be played time and again, their lives are also endless repetition. This eventually results in a loss of a sense of time, for past and future. The four are permanently surrounded by cameras and projectors. In this way we see how photos are repeatedly taken of one of the girls and the boy keeps staring at a film screen. Everything which cannot be repeated is the object of their hatred. One day a woman appears in their lives and wants to die. The four try to involve her in their game, but the opposite happens: the fact that the woman is different disrupts their self-made world. Having playacted a funeral for the woman, they become more and more entangled in their own game.

A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway.

Born in 1964, graduated from Tama Art University with a degree in art. During his college years, he formed an indie band with his classmates and performed for several years before studying under Sakumi Hagiwara and beginning to make films. In his early works, he created numerous pieces using a structural style that manipulated light, objects, and even the film itself through frame-by-frame editing. Eventually, his works began to incorporate narrative elements and shifted toward analyzing his own inner world. In 1994, the premiere screening of "Cat Ears" (1994) at the East Gallery in Ebisu achieved record attendance. Additionally, he has collaborated with performance units and directed the video opera "Satyricon" (2004), consistently exploring boundary-crossing visual expressions.

Born in 1964, graduated from Tama Art University with a degree in Fine Arts. During his university days, he formed an indie band with his classmates and was active for several years. He then began filmmaking under the tutelage of Sakumi Hagiwara. In his early works, he created numerous pieces characterized by a "structural style that manipulates light, objects (or the film itself) through frame-by-frame editing." Eventually, his works began to incorporate narrative elements and shifted toward a more analytical exploration of his inner world. In 1994, the premiere screening of "Cat Ears" (1994) at the East Gallery in Ebisu achieved record attendance. Additionally, he has collaborated with performance units and directed the video opera "Satyricon" (2004), consistently exploring boundary-crossing visual expressions.

As the filmmaker metaphorically represents the “romanticism as love towards mineral,” they are gathered through the act of shooting (the physical movements on camera) and they are a collection of images being put in the film; these meanings are to be interpreted by the audience.

Un Ange Passe (idiom: "used to indicate that one has noticed a long silence, especially a pause in a conversation") is a science fiction about a girl who survived after a nuclear fallout at the end of 20th century. She tries to communicate with others by using a future gadget, but she misunderstands the contacts from others as a delusion and makes an imaginary character in her mind.

Using the constellation as a motif, the heavens and the earth, metamorphose all the creatures.