The World of Franklin and Jefferson: The Opening Of An Exhibition

The short film uses a variety of familiar examples that have the feedback principle in common to present a broad view of the phenomena present in control mechanisms and social situations.

The Eames design philosophy presented in the form of a series of questions posed by a curator at the Louvre and answered by Charles Eames.

The life and work of the astronomer Nicolas Copernicus are shown by means of images of his writings and drawings and places he was associated with.

A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand.

From hardware to software, the basics of then-current computing technology is explained.

An interesting look at the world of toy trains, shot from the perspective of the little world itself. Originally created for model train enthusiasts, this short film transcends it's intended audience to delight viewers of all ages and interests!

A Rough Sketch features a linear view of our universe from the human scale to the sea of galaxies, then directly down to the nucleus of a carbon atom. With images, narration, and a dashboard, it gives a clue to the relative size of things and what it means to add another zero to any number. The 1977 film, Powers of Ten, was an expanded and updated version of this 1968 study film. Charles and Ray often gave projects long titles to indicate that they were still exploring their ideas—that the presentation was a model or a type of “sketch.”

A live action pageant of mechanical toys, animals, puppets, cars, lead soldiers, and dolls—all set in motion. Toy buildings and photographic or painted images of city streets serve as backdrops. Festive elements from circuses, carnivals, and holiday parades are combined into an exuberant procession set to the music of John Philip Sousa. As the film ends, and the last puppet looks up at the sky, a red balloon drifts upward and the music fades out. 
Edinburgh International Film Festival award winner, 1954.

Based on an existing slide show the Eames Office had made about the exhibition, A Computer Perspective (produced for IBM in 1971). The film is a visual survey of the collection of artifacts, ideas, events and memorabilia displayed in the exhibition to represent important milestones in the development of the electronic computer.

Short animated film commissioned by IBM - to illustrate Camille Jordan's concept of topology - the fact that a simple closed curve divides a plane into an inside and an outside.

2ⁿ is a story about the exponential growth of numbers raised to powers. Part of the Mathematica Peep Shows, one of five films made to accompany the Mathematica: A World of Numbers and Beyond exhibition at the California Museum of Science and Industry and the Museum of Science and Industry in Chicago.

The Greek mathematician Eratosthenes estimates the circumference of the earth.

The Fabulous Fifties, CBS, combines style, humor, and imagination. It was rich in touches of quality showmanship and equally rich in the memories of a decade which it revived. In recognition, the Peabody Television Award for entertainment is presented to The Fabulous Fifties, with a special word of praise for producer Leland Hayward and the top talent which appeared in this memorable entertainment special*. *The two-hour special featured comic takes and commentary about the previous decade by, among others, Rex Harrison and Julie Andrews, Mike Nichols and Elaine May, Dick Van Dyke, Shelley Berman, Betty Comden and Adolph Green, Jackie Gleason, Eric Severeid and Henry Fonda.

This film reveals design proposals for the IBM pavilion at the 1964 New York World's Fair. It incorporates photography and animation to present the concepts, architecture, and overall look of the pavilion and to convey an impression of the exhibition's spirit and content.

A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the special objects and events surrounding the annual Mexican celebration of “All Souls Day”. It is not only a rich flood of folk art, but a view of the way that the Mexicans have come to terms with death. Searched out with the help of Alexander Girard and a moving guitar score by Laurindo Almeida.

The Eames House and Studio is explored via a series of slides.