2ⁿ: A Story of the Power of Numbers

The short film uses a variety of familiar examples that have the feedback principle in common to present a broad view of the phenomena present in control mechanisms and social situations.

The Eames design philosophy presented in the form of a series of questions posed by a curator at the Louvre and answered by Charles Eames.

The life and work of the astronomer Nicolas Copernicus are shown by means of images of his writings and drawings and places he was associated with.

A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand.

From hardware to software, the basics of then-current computing technology is explained.

An interesting look at the world of toy trains, shot from the perspective of the little world itself. Originally created for model train enthusiasts, this short film transcends it's intended audience to delight viewers of all ages and interests!

A Rough Sketch features a linear view of our universe from the human scale to the sea of galaxies, then directly down to the nucleus of a carbon atom. With images, narration, and a dashboard, it gives a clue to the relative size of things and what it means to add another zero to any number. The 1977 film, Powers of Ten, was an expanded and updated version of this 1968 study film. Charles and Ray often gave projects long titles to indicate that they were still exploring their ideas—that the presentation was a model or a type of “sketch.”

A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.

Short animated film commissioned by IBM - to illustrate Camille Jordan's concept of topology - the fact that a simple closed curve divides a plane into an inside and an outside.

Presented without voiceover, various kinds of breads are displayed and broken in a joyous celebration of starch, seed and salt.

The concept of a mathematical function is illustrated as used in science.

The Fabulous Fifties, CBS, combines style, humor, and imagination. It was rich in touches of quality showmanship and equally rich in the memories of a decade which it revived. In recognition, the Peabody Television Award for entertainment is presented to The Fabulous Fifties, with a special word of praise for producer Leland Hayward and the top talent which appeared in this memorable entertainment special*. *The two-hour special featured comic takes and commentary about the previous decade by, among others, Rex Harrison and Julie Andrews, Mike Nichols and Elaine May, Dick Van Dyke, Shelley Berman, Betty Comden and Adolph Green, Jackie Gleason, Eric Severeid and Henry Fonda.

This film reveals design proposals for the IBM pavilion at the 1964 New York World's Fair. It incorporates photography and animation to present the concepts, architecture, and overall look of the pavilion and to convey an impression of the exhibition's spirit and content.

A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the special objects and events surrounding the annual Mexican celebration of “All Souls Day”. It is not only a rich flood of folk art, but a view of the way that the Mexicans have come to terms with death. Searched out with the help of Alexander Girard and a moving guitar score by Laurindo Almeida.

The Eames House and Studio is explored via a series of slides.

An early attempt to present communications theory, made to encourage the breaking down of barriers of thinking between disciplines and to discourage thinking of communications in a limited way. Music composed by Elmer Bernstein.