社内恋愛 ゆれる女ごころ

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

Surgeon Asami Hanaoka is in financial difficulty. A gang soon plot to takeover the hospital.

A married woman who is a "revenge contractor" who takes revenge on men on behalf of women who have been wronged by her ends up being embraced by the man she is targeting...

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

Mizutani Kei, who starred in the V Cinema production A Weather Woman that also gained popularity overseas, gives a delightfully humorous performance as the battling protagonist who gives up a glamorous nightclub career to take up farming. Thirty-five-year-old bar worker Yukie (Mizutani) marries customer Jotaro (Hamada Manabu), the eldest son of a farming family. She revels in the humble joy of being a farmer's wife. Then one day, a man named Mishima (Yoshioka Mutsuo) who once deceived Yukie reappears, and seeks a physical relationship with her.

After the death of his wife, Yukio has become more and more paranoid, believing that he is being followed and watched at all times. Yukio's late wife, before her death, was seeing and sleeping with another man. Not only did Yukio know about the affair, he would watch them have sex. Unbeknownst to his wife, his peeping on her became like a fetish. As the film progresses, Yukio goes to see a counselor to try and figure out his phobia and discover his deep repressed thoughts about his wife. In comes Akemi, Yukio's ex-girlfriend from almost a decade prior. Akemi is unhappy with her marriage and seeks the warm embrace of Yukio, which only furthers his descent into madness.

Yuji is an engaged businessman, who decides to grope Asuka, a pretty young girl, on a busy Tokyo commuter train. The cheap thrill turns expensive as Yuji discovers she took this opportunity to steal his wallet. Later on, Asuka finds Yuji and approaches him with an indecent partnership proposal. This film is another quality installment from the Chikan Densha Groper Train series – the longest running film series in the world. (Over 500 Groper Train films have been made!)

The story of an angel who encounters a series of men in a public toilet. A fable about identity.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

Satoko, a married woman who frequently pursues flings using a dating site with her mobile phone. One day, she meets Atsushi, a designer blinded by an accident, and suddenly begins to take care of him as love and lust grows between them.

Fumiko, a married bookkeeper at a hair salon, is having an affair with one of the stylists, Sawai. Suspecting that her co-worker Mayumi is also involved with him, Fumiko murders her in a fit of jealousy, dismembers the body, and disposes of the remains around the city. When Mayumi’s husband, taxi driver Yukio, comes looking for his missing wife, Fumiko approaches him and claims that Mayumi had wanted to visit a hot-spring resort in the snowy mountains. The two set out together in search of her, each carrying motives and resentments of their own, as their strange journey gradually develops into an uneasy and increasingly dangerous intimacy.

Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.