Toshirō Enomoto

Asuka Hanyu, a lone wolf who will stop at nothing to investigate, is a cool beauty who throws away her voluptuous body and strikes her enemies right between the eyes. This female detective infiltrates the Taiwanese mafia. However, her identity is compromised when someone tips her off!

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

The story of an angel who encounters a series of men in a public toilet. A fable about identity.

Shinji Imaoka’s debut film about three men, a woman, and a dead body.

In the district of Shinjuku, a cut-throat rōnin student crosses paths with an uninspired painter who does the utmost for his envisioned muse.

Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.

A convicted rapist, Ikuo is released from prison and goes in pursuit of the woman he raped, Mieko. So obsessed is he with revenge he sees her in every woman he meets. After carrying out vicious attacks on a prostitute and a young girl he finally comes face to face with her.

After attempting to meet someone new on a dating website, Chihiro starts talking to Makoto, who is asking around about a string of suicides. She agrees to meet with him, as she knew one of the girls that recently passed. After the two begin to connect a bit, Makoto gets an e-mail from Chihiro, saying she doesn't see a purpose to continue living.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

Fumiko, a married bookkeeper at a hair salon, is having an affair with one of the stylists, Sawai. Suspecting that her co-worker Mayumi is also involved with him, Fumiko murders her in a fit of jealousy, dismembers the body, and disposes of the remains around the city. When Mayumi’s husband, taxi driver Yukio, comes looking for his missing wife, Fumiko approaches him and claims that Mayumi had wanted to visit a hot-spring resort in the snowy mountains. The two set out together in search of her, each carrying motives and resentments of their own, as their strange journey gradually develops into an uneasy and increasingly dangerous intimacy.

Children born with special power. They seek blood for eternal life. And tonight, the victims ...!

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

Surgeon Asami Hanaoka is in financial difficulty. A gang soon plot to takeover the hospital.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

Asako and Tomoko, who live next door to each other in a certain apartment complex, are housewives who frequently chat with each other. Asako, who is on good terms with her husband, Keiji, tells Tomoko about their nightly activities, and Tomoko, who is in a lull with her husband, Shinpei, envies her for it. One day, Keiji and Shinpei, who had never even exchanged greetings before, happen to hit it off and go out for a drink together. There they meet a pair of office workers...

A married woman who is a "revenge contractor" who takes revenge on men on behalf of women who have been wronged by her ends up being embraced by the man she is targeting...

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

In this documentary, script supervisor Teruyo Nogami, who first worked with Akira Kurosawa on RASHOMON, catches up with many members of the crew, including cowriter Shinobu Hashimoto and assistant director Tokuzo Tanaka. They talk about the screenplay’s evolution, difficulties during the shooting of the film, and Kurosawa’s working methods.

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

Sex Friend Nurezakari is the story of an old friend, Tsutomu, who pays a visit to a couple then disappears after one night. He leaves behind a mobile phone, and the couple set out to find him and return it. Along the way they meet up with another couple taping themselves having sex. The four of them continue the journey to find Tsutomu. When they arrive at his home, his parents inform them that he was killed in an accident some years previously. What happens next is both bizarre and strangely heart warming as the four friends play a baseball game with the ghost of Tsutomu and thus seal their friendships for good, as all of them discover more about themselves and each other.

A young couple in love prepares to marry, but--contrary to the popular stereotype--the woman develops a classic case of "cold feet" and seeks the advice of an older man. In no position to offer solid counsel since his own marriage is failing, he instead allows her to seduce him.

After the death of his wife, Yukio has become more and more paranoid, believing that he is being followed and watched at all times. Yukio's late wife, before her death, was seeing and sleeping with another man. Not only did Yukio know about the affair, he would watch them have sex. Unbeknownst to his wife, his peeping on her became like a fetish. As the film progresses, Yukio goes to see a counselor to try and figure out his phobia and discover his deep repressed thoughts about his wife. In comes Akemi, Yukio's ex-girlfriend from almost a decade prior. Akemi is unhappy with her marriage and seeks the warm embrace of Yukio, which only furthers his descent into madness.