Centelha

When bandits take the town of Sertânia, Antão gets shot, arrested, and left to die. Bleeding out, Antão's delirious mind begins to recall the events that led up to the incident through a sequence of increasingly unreliable fever dreams.

Documentary about Indigenous peoples' profound connection to nature and their struggle against deforestation, a grave threat to their way of life and the ecosystem they call home.

With the world in suspension Dante meets Ava, a woman who offers him her affection to facilitate his crossing over to the other side.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

A documentary-tribute to the filmmaker Humberto Mauro considered the pioneer of Brazilian and Latin American cinema, directed by his grandnephew, André Di Mauro.

In Rio de Janeiro, close to the mythical Maracana stadium, venue for the grand final of the World Cup 2014, we find an ordinary football field in the Sampaio neighborhood. There, football happens as a genuine expression of Brazilian culture. With the games on Sundays, the annual slum football league has 14 teams. Each represents the colors and rituals of their community. Geração x Juventude contest the final.

Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.

With her radical voice, visceral improvisation, and unmistakable rasp, Elza Soares created a language all her own and crossed generations, continually reinventing herself as one of Brazil’s greatest artists. In the documentary that bears her name, Elza narrates her own story, weaving together a diary of memories, desires, and reflections through music, in dialogue with historic Brazilian films. Through Elza and her nearly century-long life, the film offers an X-ray of a country in turmoil.

The work and life of the important Brazilian filmmaker Geraldo Sarno are intimately revealed during the filming of the series "Sertão de Dentro" and the feature film "Sertânia".

On the edge of the Transbrasiliana highway, Edna lives in a land in ruins, built on massacres.

Maria is an actress who, during the rehearsals of the role of Jocasta for the theater, starts to live, in her personal life, the Mystery of Mary mother of Jesus, a circumstance that leads her to reflect on her condition as a woman and motherhood.

Olympic Favela portrays two families who are forced to give up their homes, and leave their favela communities near the construction site of the newly built Olympic Park as Rio de Janeiro prepares to host the 2016 Olympic Games.

Mário returned to the world of the dead. He dug his escape into the earth, with no intention of taking revenge on the powerful men who pursued him. "The Fury (2024)" starts from a fantastic premise, a poetic license, to conclude the trilogy begun by "The Guns (1964)" and "The Fall (1978)."