Sertânia

In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.

Short documentary film about the afrobrazilian religion Candomblé.

The confrontations and conflicts between the city of Padre Cicero's pilgrims and the attempts to develop the region.

Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.

A documentary on the Afro-Brazilian religion of Candomblé and its rites.

A Brazilian film, inspired by local publications known as literatura de cordel, that chronicled political, social and cultural events, as well as containing folk tales.

In the village of Leva-e-Traz, the discovery of a oil field is responsible for a mass evasion of the townspeople. Left are the old and incapable for the extraction job. When the local priest announces he, too, is leaving the town, Satan emerge thrilled with the chance of overtaking the place.

In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.

A 10-part documentary about 10 Brazilian filmmakers: Linduarte Noronha, Jorge Furtado, Ruy Guerra, Murilo Salles, Paulo Caldas, Walter Salles & Daniela Thomas, David Neves, Julio Bressane, Ana Carolina and Carlos Reichenbach.

Documentary about the film director Ana Carolina.

Santiago de Cuba, 1956. Pablo, a young mulatto with a deep poetic sensibility, studies at the university. He loves María, who, despite her parents' wealthy position, is not accepted in high society because of the color of her skin.

From the clay used to make tiles or clay clay, an image of Lampião, the king of Cangaço, begins to emerge through the work of ceramicist Manuel Vitalino dos Santos. According to the artist, son of Mestre Vitalino, the most famous clay artisan in the Northeast, it would be preferable to abandon the art rather than having to change his artisanal production method. Tradition and consumption are discussed when the art arrives to be sold at the Caruaru Fair in Pernambuco. The soundtrack is provided by the voice of singer Severino Pinto.