Em Ritmo Jovem

Carlito, a bank clerk in Rio de Janeiro, is an engrained megalomaniac. Aided by his girlfriend Marta, he executes a wild plan that involves Milton de Souza, a married businessman, director of a factory.

For a long time a couple exchanged love letters, he living in the Northeast and she in Rio de Janeiro. One day he goes to the wonderful city together with a colleague, but he soon faces a problem: since he has sent the girl a photo of someone else, he is afraid to approach and reveal who he really is. At the same time, the colleague has a falling out with a girl who defends rock 'n' roll tooth and nail.

When a lady-killer announces his wedding, seven of his ex-girlfriends decide to kidnap him, keeping him in a sailing ship.

Lampião's gang raids a farm just as the wedding of Antônio Saraiva and the Baroness's goddaughter is being prepared. In the shootout, Lampião's brother, Ezequiel, is killed, and in revenge, Lampião burns the Baroness alive and orders the bride to be beaten. Upon arriving at the farm, Antônio discovers everything and vows to follow the gang's footsteps to hell. The cangaceiros continue their atrocities, robbing, killing, and looting, until a priest places a curse on Lampião. The curse transforms into the avenging figure of Antônio, who acquires supernatural powers. He meets Lampião during Maria Bonita's birthday party, and a life-or-death duel ensues.

Low-budget comedy of errors about false miracles, Catholic priests, greedy politicians and a prostitute in a small Brazilian town, with popular Brazilian comedy stars of the time.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

During the inauguration of Brasília, Brazil's brand new capital city, singer and ballerina Gilda hides in a working-class night club to escape from an inconvenient millionaire who's trying to date her.

The Gerimum Trio arrives in Rio de Janeiro wanting to make it big in their artistic careers. They struggle with great difficulties and even sing in the street. The police pursue the three, who end up in the place they most want to be: a television studio. Mistaken for northeastern congressmen, they are taken to the TV director-general, Mr. Walter. Shortly after, Marly, the advertising star, and her secretary, Josias, enter. A heated argument ensues, but the situation is resolved when the real congressmen show up.