The Spirit of Lorca

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

Stephen Frears and a quartet of film industry notables - representing different cinematic periods - drink tea and discuss ups and downs of British cinema.

This British documentary shows the complex layers of legendary jazz trumpeter Miles Davis, who was a major innovator in post-bop, cool jazz, hard-bop and fusion. Davis's raw-edged trumpet tones were some of the most evocative sounds ever heard. This profile captues the magnificent and mercurial artist -- one of the most identifiable and misunderstood pop icons of the 20th century -- through rare footage and interviews.

Edward Said, Professor of English & Comparative Literature at Columbia University, was a prominent literary critic of the late 20th century and a leading spokesperson for the Palestinian cause in the US. Born to a Palestinian family in Al-Quds (Jerusalem) in 1935, he and his family were dispossessed in 1948 and settled in Cairo. Educated in the US, he lived in New York for many years. Said was a member of the Palestine National Council. After resigning from the PNC in 1991, Said wrote critically about the post-Oslo peace process, the political failures of Yasser Arafat and the PLO. Said was diagnosed with leukemia in 1991 and struggled with the disease while continuing to write and teach. He stopped giving interviews but made an exception less than a year before his death in 2003, speaking about his illness, work, Palestine, politics, life, and education. The last interview is the final testament of this passionately committed intellectual.

From 1978 to 1985 Alan Lomax traveled the American South and Southwest with a television crew to document regional folklore with deep historical roots. From the resulting 400 hours of footage came the five-program series American Patchwork, which aired on PBS in 1991.

Film Essay based on “And Our Faces, My Heart, Brief As Photos” by John Berger.

A documentary portrait of one of the world's superstars of Jazz, pianist Keith Jarrett, exploring his life and work.

Oliver Walston investigates his mother Catherine's 20-year relationship with the writer Graham Greene, which gave rise to Greene's famous novel The End of the Affair, twice adapted as a feature film. The documentary follows the second film during its production, where screenwriter/director Neil Jordan and stars Ralph Fiennes and Julianne Moore offer their personal perspectives on the novel's continuing resonance.

Talking with Michael Parkinson and members of the audience at the National Film Theatre, London. An informal discussion illustrated with extracts from some of his most famous films: Champion (1949), Ace in the Hole (1951), Paths of Glory (1958), Lonely are the Brave (1962), In Harm's Way (1965), The Arrangement (1970).

This documentary features acclaimed Chicagoan broadcaster and Pulitzer Prize winner Studs Terkel talking about the value of oral history and the voice of ordinary working Americans.

The rarely-seen 1994 BBC TV documentary on the legacy and influence of John Berger, featuring interviews with Alain Tanner, Geoff Dyer, Jean Mohr, Ernst Neizvestny and many more.

“Parting Shots from Animals” was inspired by essays by John Berger and developed in collaboration with Chris Rawlence. Shot entirely in the UK, it consists of a diverse series of arresting ‘films within a film’, each presented as if made about us from the perspective of the animals whose lives we may appear to celebrate, but continue to exploit and to destroy. While John Berger doesn’t appear in the film and wasn’t directly involved in it’s making, he narrates to great effect the text he co-wrote to accompany the film’s provocative opening sequence.

Short film, going behind-the-scenes of shooting for One Plus One (1968) in London, featuring an interview with Godard sitting beside a tree. Many crew members from this shoot were then borrowed by him, playing the press in the film's Eve Democracy sequence. Originally broadcast on the BBC programme 'Release' (30th Nov. '68).

For over forty years, virtuoso saxophonist/composer Barbara Thompson has been Britain's most brilliant and best-known female jazz musician. But in 1997, the same year that she received an MBE for her services to music, disaster struck. Barbara was diagnosed with Parkinson's disease. This is the story of Barbara's inspiring and creative struggle with this disease, whose physical effects are particularly cruel, and visible, in the life of an improvising jazz musician.

“Pig Earth” marked John Berger’s first return to television after “Ways of Seeing”. The film, boldly using mostly still photographs, is based on John’s book of the same name, which was both a work of fiction as well as a history of French Peasant experience, as told by John ‘the story teller’, as if in the peasant’s own voices. All of which was given brilliant visual expression in the film through a series of beautifully edited sequences, each constructed from vivid and moving photographs of peasants and their lives, in black and white and colour, by John’s friend and long-time collaborator, the Swiss photographer Jean Mohr.