Kinderkrieg & Kinderfrieden oder J.S. Bach: Die Kunst der Fuge

An experimental biopic that explores the life of Swiss writer Robert Walser. The film deliberately avoids a linear narrative structure and approaches Walser more in the form of a poetic meditation on the life of a poet. Walser is portrayed as a role model for the film's author, who has radically distanced himself from or rejected the grammar and rhetoric of conventional film more than his colleagues.

"Actions of Indication is an intermission film, which means it is a film for the intermissions in movie theaters. Get the message: FILM is caviar like BASKIN ROBBINS is ice cream." (HHK)

The film was found in the estate of HHK Schoenherr and digitized as part of the "Swiss Film Experiments" research project. The title is taken from the label on the film canister. The film does not appear on any HHK Schoenherr filmography. The attribution to HHK Schoenherr's films is questionable.

The film Autoportrait is made up of four parts: Part 1: Search, Part 2: Work, Part 3: Daydream, Part 4: Family. Each of the parts can be shown as a self-contained film.

Experimental film with a doll.

A short film by HHK Schoenherr

As a word, play stands for playing, playful, giving full play to your imagination, play-acting style, play at passion, playground, manner of playing, playing for time, phase of play, playing a joke, play document, playing field, playroom, and everything that has to do with film, the film stock, with its color and black/white. Unexposed, overexposed and double-and multiple-exposed film, waste material and the creations of fancy.

The film was realized according to the formulaic concept "TAM 4/71."

"In Germany, I bought an old 35mm Debrie camera. I spent several weeks working with this camera and found that its mechanics were marvelously thought out and that the way the camera was made was proof of the skilled craftsmanship back then. I developed a procedure which also allowed me to use the camera as a printing machine. The printing process is not so different from the filming process, as far as the transport of the film goes . . . It was a lot of fun to try to exhaust the possibilities of the Debrie. It was not only the mechanics that were exciting, like the works of a wonderful old clock, but the numerous possibilities for the realization of the second part of the film, too. This consists mainly of what has already been shot, but offers at least 50% more experimental manipulations in the printed part." (HHK)