Paradís

Three retired women travel by bus on their way to discover Europe. They’ve recently lost their husbands and now it’s time to start living. They’ve heard people talk about the wonders of tourism all their lives and are dying to experience them firsthand.

A comedy that chronicles a chance encounter between Robert and a Chinese named Jun who wanders lost through the city of Buenos Aires in search of his uncle after being assaulted by a taxi driver and his henchmen.

Julia and Félix are a young married couple under pressure to have a baby for the first time. After an argument at a beach resort, Julia suffers an accident.

The closed community of a private neighborhood of high-priced houses, is moved by the discovery of three corpses that appear floating in a pool and rushes to frame it as an accident.

Dani loves his girlfriend, Monica, but he is always late and has lost the expensive watch she gave him as a birthday present. Tired and disappointed by his lack of commitment, she breaks up with him. On the advice of his amateur psychologist friend, Elias, Dani sets off on an impossible quest to retrieve the watch, to prove his love to Monica and save their relationship.

Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.

In Brétema, on the Atlantic coast, there was a time when networks of smuggling, drug trafficking converted, achieved so much influence that they were close to control everything: social power, institutions, the lives of its people. Fins, Leda and Frink explore the coast in search of what the sea throws after a wreck, the sea is for them a place of continual discovery. The fate of these young people will be marked by the shadow odious and fascinating at the same time the ubiquitous Marshall, owner of almost everything in Brétema.

Reality and imagination blend in a descent to the director's childhood during the return to the last space where she stayed with her father, the house in Campolivar.