Intra

Oscar tries to rebuild the withered body of a girl who's keeping alive. This obsession breaks down his perception into disturbing dreamscapes.

Two sisters marked by their mother’s murder years before find the murder weapon and the clues that lead her to the perpetrator.

Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.

An old woman wears herself out with every movement, entrenched in her room. Each of the gestures of her aching body reminds her of the years of prison and torture she experienced as a political prisoner of the Uruguayan dictatorship. At the end of the 1960s, Élida Valdomir was an armed leader of the Tupac Amaru movement and never denied her commitment. In this almost closed door, yesterday's memories and today's images constantly respond to each other.

At an amusement park, a group of children and teenagers are trapped in a curse that connects them to a parallel world.

The film delves into the universe of thoughts and memories of Camilo, a teenager with a muscular disorder, as he transitions into adulthood. The film's dialectic, crystallized in an extensive 16-year film record, navigates between the writing of philosophical texts and conversations he has with his friend Luis, with a critical eye toward social systems, his own relationships, and himself. His way of feeling propels the temporal leaps in one direction or another, with their drifts and reveries, similar to the ways in which memory operates. Time becomes both theme and vehicle.

Juana, a young woman in her twenties sets out on a backpacking trip to the northwest of Argentina. Her aim is to find some places and people that appear in a series of photographs that she carries with her. As the adventure goes by, Juana finds out that the deepest meaning of the trip was but the simple fact that she has travelled through the experience itself.

"I'm the one who disappeared," says the last chronicle Haroldo Conti wrote in April 1976. A month later, he was kidnapped and disappeared by the last Civic-Military Dictatorship. The documentary returns to the ghostly Paulino Island in Berisso, Buenos Aires province, the setting that inspired the Chacabuco-born narrator to write this text.

A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.

After the suicide of her best friend, Amparo secludes herself in a mourning pervaded by doubts and memories. Daring to continue her friend’s unfinished work proves to be the only way to move on.