Pablo Rabe

Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.

Oscar tries to rebuild the withered body of a girl who's keeping alive. This obsession breaks down his perception into disturbing dreamscapes.

An old woman wears herself out with every movement, entrenched in her room. Each of the gestures of her aching body reminds her of the years of prison and torture she experienced as a political prisoner of the Uruguayan dictatorship. At the end of the 1960s, Élida Valdomir was an armed leader of the Tupac Amaru movement and never denied her commitment. In this almost closed door, yesterday's memories and today's images constantly respond to each other.

When a mystery woman appears in Julia's daily life, she starts believing that a rare neurological disease is taking control over her body and mind.

Two sisters marked by their mother’s murder years before find the murder weapon and the clues that lead her to the perpetrator.

The film delves into the universe of thoughts and memories of Camilo, a teenager with a muscular disorder, as he transitions into adulthood. The film's dialectic, crystallized in an extensive 16-year film record, navigates between the writing of philosophical texts and conversations he has with his friend Luis, with a critical eye toward social systems, his own relationships, and himself. His way of feeling propels the temporal leaps in one direction or another, with their drifts and reveries, similar to the ways in which memory operates. Time becomes both theme and vehicle.