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In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Dongsoo, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.

Na-mi and Sun-woo, the outcasts in school, plan to commit suicide instead of going to the school trip. On the moment of success, they find out that the girl, Chae-lin, who made their lives miserable is living a new happy life in Seoul. So, they decide to make revenge before ending their lives. However, when they finally spot Chae-lin, they see a good-hearted girl in front of them which makes their plans go awry.

A family who are uncomfortable together, but worry about each other goes on a sudden camping trip. A group of youths who have no idea about their future and live crumpled lives go on a trip. A single person who thinks it's alright to be alone goes on a trip as well.

The city is calm while everybody is out for the Thanksgiving day(Full Moon Day) and 19 year-old O-yoon Kwon is getting nervous. It´s because she has lost her beloved IPod just days before her SAT test. With the help of her friends, O-yoon plans to catch the thief by searching the reading room. On this celebrating day, the girls are in need of a victim to soothe their anxiety.

While a film shooting, an actress forces herself into a corner to hide in her car to rest. And when she wakes up, she finds a man looking at her through the car window.

The work approaches the relation between digital objects and machines in the material dimension. Data is often embodied in advanced digital devices with glistening surface, yet the hardware of the machines becomes ‘junk’ as soon as its functionality fades and eventually gets thrown away. The work traces such material remnants in the processes of handling the electronic waste and recycling value chain, in which the mineral and metal that once belonged to electronic devices are re-absorbed into the reproduction cycle. Such processes of deterioration of digital objects are parallel to the history of resource extraction, and ultimately, geologic time.