No More No Less

In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Dongsoo, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.

Na-mi and Sun-woo, the outcasts in school, plan to commit suicide instead of going to the school trip. On the moment of success, they find out that the girl, Chae-lin, who made their lives miserable is living a new happy life in Seoul. So, they decide to make revenge before ending their lives. However, when they finally spot Chae-lin, they see a good-hearted girl in front of them which makes their plans go awry.

A family who are uncomfortable together, but worry about each other goes on a sudden camping trip. A group of youths who have no idea about their future and live crumpled lives go on a trip. A single person who thinks it's alright to be alone goes on a trip as well.

Woo-hee lives her life like a solitary island until her hometown friend Young-shin, who has been in contact for a while, visits her house. Their sudden reunion stays longer than expected, but ends up unexpectedly short.

While a film shooting, an actress forces herself into a corner to hide in her car to rest. And when she wakes up, she finds a man looking at her through the car window.

The work approaches the relation between digital objects and machines in the material dimension. Data is often embodied in advanced digital devices with glistening surface, yet the hardware of the machines becomes ‘junk’ as soon as its functionality fades and eventually gets thrown away. The work traces such material remnants in the processes of handling the electronic waste and recycling value chain, in which the mineral and metal that once belonged to electronic devices are re-absorbed into the reproduction cycle. Such processes of deterioration of digital objects are parallel to the history of resource extraction, and ultimately, geologic time.