Ave Maria (Ellens Gesang III) D. 839

A film miniature set to classical music, inspired by Georges Bizet's "Carmen" suite, orchestrated by Rodion Shchedrin, animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. The music is fully synchronized with the image. The film (first in a trilogy) tells the story of a gypsy caravan and Carmen's dreams of ideal love.

A film miniature set to classical music, inspired by Georges Bizet's "Carmen" suite, orchestrated by Rodion Shchedrin, animated in loose matter (colored salt) directly under the camera by Aleksandra Korejwo. The music is fully synchronized with the image. The sounds of the music awaken Carmen from her sleep. Her silhouette is illuminated by a nearby bonfire. In this expressive dance, elements of Andalusian gypsy folklore (flamenco) choreographically intertwine with the passionate symbolism of Carmen's gestures. It's the second film in a trilogy.

A film miniature set to classical music. The Spanish landscape, allusively evoked on screen, is dominated by characteristic elements of Gaudí's architecture. From these elements emerges the arena, with the figure of a fighting bullfighter. The appearance of Carmen introduces a lyrical thread. A passionate love develops between her and the bullfighter. Utterly astounding, iridescent salt animation by Aleksandra Korejwo based around Bizet's Carmen, the third and final film in a trilogy.

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

A film miniature set to classical music. On the banks of the Danube, a girl recalls moments spent with her beloved, especially the ball and the waltz to Strauss's music. Animation in loose matter (colored salts) directly under the camera by Aleksandra Korejwo.

A miniature film set to classical music. A cart drives down a gray city street. Behind the houses, instead of the sun, a spinning wheel emerges, from which a broken thread falls into a nearby puddle. A little girl runs down the street. Suddenly, she stumbles and falls into the puddle. Tears from the animated houses fall into the puddle. The drops of tears "revive" the thread, which transforms into a fairy-tale skein and weaves a new dress for the girl. A spinner with a spinning wheel appears and weaves colorful strands around everything. Flowers bloom in the windows of the houses, and the gray walls are covered with vivid colors. The girl, carried by the skein, soars above the houses of what is now a colorful town.

Article 16. Rights of the child. Right to protection of private, family and home life. 1. No child shall be subjected to arbitrary or unlawful interference with his or her privacy, family, home or correspondence, nor to unlawful attacks on his or her honour and reputation. 2. The child has the right to the protection of the law against such interference or attacks. Short film animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo.

A film miniature set to classical music by Camille Saint-Saëns, animated in loose matter with colored salt directly under the camera by Aleksandra Korejwo. From the undefined matter, the figure of a dancing girl emerges, soon transforming into a swan. From the rippling water, the swan takes flight, then seamlessly transforms back into a girl. The girl's dance and the bird's flight intertwine. The girl is enchanted into a swan, the swan enchanted into a girl. Their shapes merge, creating a unity.

Animation in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Music by Wolfgang Amadeus Mozart from Serenade in G major KV 525, performed by Polish Chamber Orchestra and conducted by Jerzy Maksymiuk.

A film miniature to classical music inspired by the music of Wolfgang Amadeus Mozart. Praise for the joy of life, synchronously set to the vocalization of Mozart's piece. Animation in loose matter (colored salts) directly under the camera by Aleksandra Korejwo.

Freedom and Unfreedom unfolds in a single two-and-a-half-minute take. In a moody, dialogue-free piece, a single African-American figure appears in an abstract landscape, dancing among multicolored energy fields. The limbless, spiritless figure dances back and forth, only to be joined by another. Suddenly, dissonant phrases emerge as a hard gray boundary descends between them, and soon more and more walls begin to collapse around the figure until it is completely trapped in a small box, roughly the size and level of the compartments in which slaves were transported from Africa to America. Segment and first part of the film Suite from Freedom (2004).

Short film animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Produced by Acme Filmworks Hollywood for Riverwind Casino.

A trio of short films commissioned to be shown to visitors entering the National Freedom Center in Cincinnati Ohio. Freedom and Unfreedom by Aleksandra Korejwo uses sand animation. Slavery by Caroline Leaf shows the hardship of the life of a house slave in the American South before the Civil War, telling the events in one day in her life. The Underground Railroad by Luc Perez is the final film in the trilogy.

Amazing and iridiscent film animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Produced by Acme Filmworks Hollywood for United Airlines, Locomotion Channel.

Another iridiscent film animated in loose matter (colored salts) directly under the camera by Aleksandra Korejwo.

Animation in loose matter (colored salts) directly under the camera by Aleksandra Korejwo. Nomination for "Best of the World", International Animation Festival, Hiroshima, Japan, 2010.